The 50 Best Albums of 2022

2022. It was a year that happened.

After the last two years, it DEFINITELY could have been worse.

2022 was an interesting year for music and, dare I say, it was one of the better years we’ve experienced in a long time.

For the past near-decade on these year-end recaps, I talk about how the year was filled with overhyped mainstream releases, with the real quality being hidden in indie and underground releases. That’s also the story of 2022 – with a twist.

In previous years, so-so albums from artists like Chris Brown, or outright disasters from guys like Drake and DJ Khaled would still be championed as instant classics. Not so much this year. Despite a few questionable Grammy nominations, it seems that the fanbases who once were ready to overhype anything their faves dropped are getting more discerning in their tastes. Even the usual blind supporters seem to be asking more from artists. When Aubrey’s albums start getting mixed reactions, times are a changin’.

The result: Instead of gassing mediocrity, 2022 saw a stronger push for – gasp – quality albums!

The kids are starting to grow up! Finally!

With that shift in mindset, several albums from legendary MCs and retuning titans got the love they deserved. There also seemed to be more chatter about indie hip-hop artists as well, with talented lyricists getting much-deserved time in the spotlight.

Of course, there’s still a lot of work to be done. Hip-hop may have enjoyed a strong year but R&B as a genre continues to sputter. With a handful of exceptions, many of R&B’s best efforts were abbreviated EPs (or EPs retooled into albums) instead of full-lengths. And there were more than a few high-profile releases that were … quite overrated and excluded from this list.

It won’t take y’all long to figure out which ones I’m referring to. Just look out for certain fanbases cussing in the comments.

So yo, it’s final time. Let’s revisit the 50 best albums 2022 had to offer. I listened to 173 albums and EPs this year, so you wouldn’t have to. Here’s the best of the best.

I may be getting my hopes up here, but it seems like the tides are beginning to turn. Audiences are demanding more from artists, and the best among them are delivering. 2022 may be the start of brighter days.

Honorable Mentions:

Coco Jones, What I Didn’t Tell You

NIGO, I Know NIGO!

Raheem DeVaughn, From Lust Till Dawn

FKA Twigs, Caprisongs

Danielle Ponder, Some of Us Are Brave

Joyce Wrice, Motive

FLO, The Lead

Arin Ray, Hello Poison

Method Man, Meth Lab Season 3: The Rehab

EarthGang, Ghetto Gods

Steve G. Lover III, SOS2

Westside Gunn, 10

Girl Talk, Wiz Khalifa, Big K.R.I.T. & Smoke DZA, Full Court Press

Bronze Nazareth, If You’re Worried, You Should Be

Siergio, Before It’s Too Late

Black Soprano Family, Long Live DJ Shay

Beyonce, Renaissance

Logic, Vinyl Days

Tobe Nwigwe, moMINTs

Symba & DJ Drama, Results Take Time

50. Czarface, Czarmageddon

Inspectah Deck, 7L and Esoteric – better known by their comic alias Czarface – are nearly a decade into their union and still show no signs of slowing down. Czarmageddon continues their streak of blistering bars and rapid-fire comic-book references. Half the fun is picking up on the random pop culture references but, for the less nerdy among us, there’s enough lyrical technique to keep any hip-hop head inspired. Czarmageddon is hip-hop’s version of a Disney+ series and the Czarface crew continue to be the most entertaining super-villains in the game.

49. Denzel Curry, Melt My Eyez See Your Future

Wanna know why I love Denzel Curry so much? Because when Sippy Cup Twitter gets on my case for criticizing modern rap with claims off  “oh you just don’t like anyone under 40,” I immediately point to Denzel Curry – a 27-year-old phenom who has youth AND skill on his side. But he’s more than my personal trump card, he’s a meticulous MC that seems to be getting better with each release. Once known for his frantic delivery, Melt My Eyez See Your Future slows things down a bit, giving Denzel’s audience a peek at the man behind the microphone. That means less, bangers, more introspection, but the same old great delivery and wordplay. I expect Melt My Eyez See Your Future to be a divisive release – especially for fans expecting Denzel’s typical brand of chaos – but this album boasts incredible growth, proving once again that he’s at the head of his class.

48. Lloyd Banks, The Course of the Inevitable 2

Lloyd Banks previous album, The Course of the Inevitable, was a pretty acclaimed outing. Personally, I liked it but didn’t love it – the project had bars aplenty but the sometimes-lifeless production did no favors to Banks’ monotone flow. The sequel corrects those mistakes, mostly thanks to improved production. And, of course, the bars are as hard as ever. Though Banks is known as a talented lyricist, his contributions are still a bit underrated, which means he has to prove himself all over again with each outing. The Course of the Inevitable 2 showcases him launching into those usual vivid bars, occasionally switching up his flow to keep things interesting. I appreciate veterans who constantly strive for improvement, and Banks is no exception.

47. Sidibe, Diamond in the Desert

Remember a year or so ago when y’all were trying to turn Snoh Aalegra into the new Sade? I’m typically against directly comparing two artists but if  we must name someone as Sade Adu’s heir apparent, I think Sidibe is the best candidate. Her Diamond in the Desert EP, essentially a roundup of all her 2022 singles, is a warm, inviting exploration of love. Call it Vibez With Substance. Her melodic vocals blend seamlessly with subtle instrumentation. It’s merely a teaser for more greatness to come, but I bet Ms. Adu would be proud.  

46. Saba, Few Good Things

In 2018, Saba turned heads with Care for Me, a somber ode to his deceased cousin. As its name suggests, the follow-up is a bit more hopeful, but Saba’s trademark introspection remains strong. Though he’s in a better place, he often remains unsure of himself and the album helps him search for answers. Saba may raise the intensity here and there but he’s at his best when he’s more low-key and looking inward. Few Good Things is another compelling entry in Saba’s catalog, who quietly is becoming a standout among his peers.

45. Robert Glasper, Black Radio III 

Robert Glasper’s Black Radio series has become bright spots in the often drab R&B scene of the past decade. As always, Black Radio III feels like a soul festival, boasting an array of both R&B and hip-hop luminaries. But, as you’d expect, it’s the R&B-leaning offerings that shine brightest, with its blend of neo-soul and jazzy interpretations harkening back to the glory days of the early 00s. Whenever Twitter starts screaming about the apparent death of R&B, send them a link to this album. Glasper’s doing his best to keep the spirit alive.

44. Syd, Broken Hearts Club

Read our review here

Transitioning from group to solo success is never easy, but Syd tha Kid made it look like light work, effortlessly morphing from fronting the acclaimed band the Internet to her first solo LP, Fin. Thankfully, Syd avoids the spectre of the sophomore jinx on Broken Hearts Club, a moody story of love found and lost. Gone is the once-aloof Syd who always seemed too cool to deal with relationship drama. This album is much more vulnerable, and often experimental at times. Broken Hearts Club is a bold step in the maturation of Syd the artist, showing that she does have the range of a star.

43. Coast Contra, Apt 505

How long have y’all heard me scream about the need for more rap groups? I know, I’m tired of hearing me too – but I’m not yet tired of hearing Coast Contra. The best groups in hip-hop history aren’t a bunch of interchangeable MCs, they’re distinct rappers in their own right. That’s what makes Coast Contra so good – their distinct flows, the way they play off and interact with each other, truly a throwback to better days. Apt 505 is a showcase of that talent, with all four members getting a chance to shine. The album shifts from soulfulness to lighthearted efforts to all-out cypher wars. There a few growing pains present throughout but there’s more than enough potential here to make CC a major force in the 2020s.

42. The Isley Bros., Make Me Say It Again, Girl

When are Ron and Ernie Isley gonna come clean and admit they’re part of the League of Shadows? These brothers must have access to a Lazarus Pit – it’s the only way to explain their insane longevity. In a career that spans SIX DECADES, they’ve continued to make themselves relevant, and this, their 33^rd studio album, keeps that streak alive. Standing alongside some of the games biggest names – from Beyonce to Rick Ross to 2 Chainz – their sound remains as fresh as ever. Their marriage of vintage soul and modern production holds up well, making them the coolest uncles at the cookout. Only Mr. Biggs could get away with calling himself The Plug with a straight face. Legend status.

41. Conway the Machine, God Don’t Make Mistakes

Another year, another best-of list dominated by the Griselda gang. Well, sort of. Conway confirmed earlier this year that he’s parted ways from the Griselda label but that hasn’t slowed the Machine’s rage. God Don’t Make Mistakes may feel like the 32,432,423 Conway project to date, but it’s just his sophomore album and his hunger is as evident as ever. Conway raps with an urgency and intensity that’s increasingly rare today and the album’s boom-bap production is the perfect backdrop for his threatening thesis. But what makes Conway a true artist is that he’s not afraid to leave the braggadocio in the backseat to tackle more weighty issues, including his well-publicized brush with death and his bouts with Bell’s Palsy. Pound for pound, Conway is one of the best MCs in rap at the moment. The Machine rolls on.

40. Termanology & Paul Wall, Start 2 Finish

Yes, the People’s Champ is on a best albums of 2022 list and I’m here for it. Paul Wall and Termanalogy display incredible chemistry on Start 2 Finish. Flexing over high-end boom bap production laid down by heavyweights like Pete Rock and Statik Selektah, the duo remain in sync as Termanalogy lets his bars fly while Paul Wall slides in with his trademark charisma. Though it may seem like an oddball paring on paper, Start 2 Finish proves these two are a perfect match.  

39. PJ Morton, Watch the Sun

PJ’s music is like the audio version of a summer breeze – inviting, cool, unassuming, and honestly, easy to take for granted but always a welcome addition. Watch the Sun is one of his better albums to date, mixing soul with tinges of gospel with an array of A-listers to help out. Nas! Jill Scott! El DeBarge! STEVIE WONDER! But make no mistake, PJ is the star here, with his gentle grooves and warm tone creating an inviting atmosphere. I typically cringe at the term “vibez,” which has become a code word for dull, uninspiring R&B. Not in this case – PJ’s vibes set the tone for breezy summer afternoons and laid-back evenings. We have to stop taking his genius for granted.

38. Phony Ppl, Euphonyus

That stupid 2020 just won’t let us be great. After #pandemicproblems delayed their plans, Phony Ppl finally regrouped in time to slide into this year’s top 50 list right under the wire. Euphonyus proves to be a more than worthy inclusion – a feel good, funky record that is never afraid to take chances sonically. Finding inspiration in the 80s, 90s and beyond, Euphonyus feels like a raucous jam session, and is a real treat in a world where vibrant, fun sounds are becoming a rarity.

37. Amber Mark, Three Dimensions Deep

Fun fact: R&B fans have been waiting on Amber Mark’s debut album almost as long as rap heads have been begging for a new Kendrick Lamar release. Amber’s 2017 mini-album and 2018 EP were bursting with promise, and Three Dimensions Deep, her official debut, fulfills it. Though sci-fi and spacey in nature, there’s no doubt that there’s a solid R&B album amongst all the intergalactic talk, with Amber leading the way with strong writing and surprisingly layered vocals. She’s not afraid to take risks with her tone, making this a very unpredictable journey. Three Dimensions Deep is often unconventional but remains rooted and relatable. It’s a pop/R&B blend done right.

36. 38 Spesh, 7 Shots

Not only does Spesh get props for one of the best album covers of 2022, he continues to up his game with every release. 7 Shots allows Spesh to flex over some of his best beats to date, showcasing his endless charisma and aggressive flow. Spesh also branches off from his usual bully bars to get introspective at times, showing tons of growth as a writer. Spesh isn’t content with being an underdog, he’s ready to run the yard. 

35. Westside Boogie, More Black Superheroes

Westside Boogie’s solo debut was one of the biggest surprises of 2019, making him a name to watch. His follow-up proves that first effort was no fluke. More Black Superheroes dives deep into the male psyche in his quest to unlock the emotional vulnerability that eludes so many of us. The journey causes him to revisit many of his previous songs and concepts (there are even a couple of sequel tracks here), each playing out like an episode of a larger Netflix series. His vivid storytelling comes in handy here. In the end, Boogie doesn’t find all the answers he’s searching for, but the journey is thrilling and the listener is ready to go on another ride with him.

34. Che Noir, The Last Remnants

Che was definitely on her grind in 2022, dropping projects left and right. While The Last Remnants wasn’t the best of the bunch (more on that one later), it’s still one of her most impressive offerings to date. Che’s strength is her realness – weaving stories with an authenticity that rises far above the usual rap bluster and theatrics. Soulful production and some of the biggest names on the underground scene come through for assists, but Che never loses her spot as the star. Che’s becoming the hardest-working woman in hip-hop, and her momentum continues to roll.

33. Tank and the Bangas, Red Balloon

In a musical era defined by dreary and (almost literal) one-note production, Tank and the Bangas is the shot of adrenaline the industry needs. The New Orleans-based quartet possesses one of the best live shows in the game right now, and that energy is kept throughout Red Balloon, an eclectic mix of soul, funk and hip-hop that seeps with substance. The band doesn’t shy away from commentary about Black life and environmental awareness, nor are they too cool to just have a good time. It’s by far one of the most fun albums of the year and, hopefully, will be the major breakout they’ve long deserved.

32. Mahalia, Letter to Ur Ex 

As the old ladies at my church used to say in protest of long-winded sermons, “it ain’t gotta be long to be strong.” Mahalia’s five-track EP barely runs 15 minutes max but is still miles ahead of most R&B releases this year. As the title suggests, Letter to Ur Ex is a short, yet salty breakup record that’s less about rants and finger-pointing and more about coping with relationship trauma. Every track is expertly produced and solidly written – Mahalia’s performances tie the whole messy package together. If this teaser is just a taste of what’s in store for her next album, she could have a full-fledged hit on her hands.

31. Jeezy & DJ Drama, Snofall

If you weren’t around for the Reign of Mixtapes in 2000s, you missed out. So many artist, including Young Jeezy, made their names on the mixtape grind before becoming major stars. That’s what makes Snofall such a slice of nostalgia. While Jeezy’s last album represented growth and maturity, Snofall takes it all the way back to the Snowman’s grimy origins – boastful bars aplenty. But, wisely, instead of pretending it’s 20 years ago, Jeezy weaves his current status as a respected vet into his tales, flaunting his current business dealings with the same hunger with his hustling days. And maybe that’s why this mixtape works so well – Jeezy’s hunger is back.

30. Steve Lacy, Gemini Rights

There are so many artists in this era who are burstin with talent yet their names never seem to make it to mainstream lips. Just look at the majority of this list, for example. But few stories made me happier than seeing Steve Lacy get his breakout moment in 2022. And man, it’s been a long time coming. Gemini Rights may be his second studio album but he’s been around the block many times, including his work with his group the Internet and stars like Kendrick Lamar and Solange. Gemini Rights was inspired by a breakup and, as we all know, pain makes for great music. Songs drip with sarcasm or ache with remorse but Lacy’s creatively and well-crafted production take things to the next level. If you’re only familiar with his hit “Bad Habit,” I implore you to explore the rest of his album. He deserves every win.

29. Eric Roberson, Lessons

How does Erro follow up “Lessons,” AKA the best R&B song of 2021? Easy, with Lessons the album – which currently stands as one of R&B’s better moments of 2022. Roberson’s strength has always been his hallmark sincerity, which again is the driving force behind this release. If “Lessons” the song is the story of Roberson reflecting on his life as his bride walks down the aisle, Lessons the album is the story of the journey to the altar, detailing the highs and lows of dating – the initial infatuation, the fear of failure and the joy of finding that one great love. Erro’s albums almost always hit the mark, and Lessons keeps that streak alive.

28. Kxng Crooked & Joell Ortiz, The Rise and Fall of Slaughterhouse

I’ll be very honest with y’all, I was very skeptical of this project. Not that I ever doubted the skill of Crooked or the Yaowa himself, it’s just that album detailing the nasty demise of the Slaughterhouse supergroup seemed needlessly messy. They seemed above such Twitter-baiting tactics. But this is much more than clickbait – it’s a brutally honest concept album that doesn’t just air dirty laundry, it’s a sobering reminder of what the hip-hop world truly lost. We already knew Joell and Crooked had incredible chemistry (see their 2020 EP H.A.R.D. for proof) but the sorrow is palatable here. They’re not upset that they lost the bag, they just regret letting down fans and possibly losing two brothers in the process. It’s a shockingly vulnerable release that has way more heart than you’d expect.

27. Che Noir, Food for Thought

I love to see Che Noir winning. As God Intended, her 2020 collaboration with the incredible Apollo Brown, proved that the art of female MC’ing is far from extinct, and Food for Thought, her most recent concept album, is a clear attempt to keep the masses fed. As usual, Che isn’t big on flash or frills – instead, it’s all forceful bars and thoughtful concepts. Her pen remains absolutely lethal and she cuts down the competition while dropping thoughtful reflections on her life and relationships. Che’s music always boasts a maturity beyond her years, with Food for Thought being yet another satisfying serving.

26. Westside Gunn, Peace Fly God

BOOM BOOM BOOM BOOM BOOM BOOOOOM! It wouldn’t be a top 50 list without an appearance from the mastermind of Griselda Records, who has his name on more projects than Nick Cannon has on birth certificates. Peace Fly God is the best of his bunch this year, and is a slight departure from his usual formula. The production is as minimalistic as you can get, which allows Gunn more than enough room to rattle off his off-kilter bars and random ad-libs. The sparseness works in Gunn’s favor, as does the array of guest stars who come through to wreck shop. Grisleda seems to be an endless content factory but as long as the quality stays this high I won’t complain. DOOT DOOT DOOT DOOT DOOT!

25. Lady Wray, Piece of Me

Soul In Stereo die-hards already know: As random as it sounds, Nicole Wray’s 1998 debut album is still one of my favorite albums of all time. I’m not even sure why – sure it’s a great album, but it may be because it dropped during a defining moment of my youth. Lady Wray certainly knows how to capture moments, as is evident with Piece of Me, a slice of 60s soul that feels authentic in every way. Even the album’s mixing sounds like it’s emanating from your uncle’s old record player. Don’t be fooled, this isn’t Nicole cosplaying as Carla Thomas. Piece of Me is a soaring release that isn’t afraid to incorporate modern elements (a dash of hip-hop here, a pinch of modern R&B there) to give this tribute piece a little spice. Lady Wray knows that moments matter, which is why Piece of Me is such a strong love letter to R&B’s roots.

24. Rome Streetz, Kiss the Ring

Rome Streetz is one of many rappers on this list who has benefited from the Griselda Effect – Westside Gunn serves as the executive producer of Streetz’s Griselda debut, which basically guarantees the unorthodox production appropriate for an MC of Rome’s caliber. Trust, Rome doesn’t need much to make a dope album, he’s been at this for years. Still, Kiss the Ring might be his best work yet. Streetz is a punchline machine, rattling off quotable bars over production that ranges from soulful to erratic to whimsical. Rome feels like a product of a different era, when bar were valued over Instagram followers, and that’s what makes him so appealing. Spitters will never go out of style.

23. Alex Isley & Jack Dine, Marigold

Alex Isley has R&B in her DNA. The daughter of Ernie Isley of the iconic Isley Bros, Alex has writing, producing and vocal credits with some of the biggest artists in the game – including a handful featured on this post. But with producer Jack Dine at her side, she’s more than ready to enjoy the spotlight herself, with Marigold arguably shining as her best offering so far. Marigold is a mostly mellow outing, matching her impressive tone for a gentle, warm journey. What Marigold lacks in peaks and valleys is made up for in a complete, consistent listening experience. For those missing the glory days of the neo-soul movement, Alex’s lush vocals and soothing production are the fix you need.

22. Ransom, No Rest for the Wicked

Here’s the beauty of a Ransom project – there’s never any question about what you’re getting. As hip-hop’s resident bar-barian, you’re guaranteed nothing but scorching lyricism every time you hit play. Though Ransom is mostly known for his sinister soundscapes – even this album cover looks straight out of the last season of Stranger Things – No Rest for the Wicked’s strength is its alluring soul samples. It’s the perfect contrast to Ransom’s rugged delivery. No Rest for the Wicked certainly isn’t for those who like their hip-hop tik-tok friendly but for those of us craving the art of storytelling, Ransom delivers. As always.

21. Meechy Darko, Gothic Luxury

When I first got into Flatbush Zombies – specifically, their highly underrated debut 3001: A Laced Odyssey – I knew it was only a matter of time before standout MC Meechy Darko would shine in the solo spotlight. In an era where most rappers sound like puppets from Nick Jr., Meechy’s commanding presence and intimidating bars make him a force to be reckoned with. He stands out like Thanos on Gullah Gullah Island. His peers just aren’t built the same. His debut, Gothic Luxury, is exactly what I envisioned – Meechy rampaging over beats like a horror movie villain. But despite the album’s bleak aesthetic, this monster does indeed have a heart, and that’s what takes the project to another level. Beneath those growls and threats lie incredible insight and introspection, showcasing wisdom beyond his years. Meechy’s delivery and dark tone might initially be a turnoff for some but dig deeper and you’ll find one of the most insightful MCs in the game.

20. Danger Mouse & Black Thought, Cheat Codes

Black Thought and Danger Mouse seem like a natural paring on paper. A 30 year rap veteran widely regarded as one of the best pure lyricists of all time teaming one of the most reclusive yet daring producers in the game? Oh yeah, it works. If you’re familiar with Thought’s Streams of Thought solo series, you know what to expect here, and Cheat Codes lives of to the lofty standards set by those previous EPs. Songs like “Aquamarine” boast the same unearthly skill that made Thought’s Hot 97 freestyle go down in hip-hop infamy. Though longtime heads always recognized real, impressive projects like Cheat Codes continue to raise both Thought and DM’s profile. I wouldn’t mind seeing this run concurrently alongside the Streams of Thought series. The duo’s chemistry is too good to make this a one and done.

19. K1NG ELJAY, PTSD

And here it is, my pick for the biggest sleeper of 2022. Mental health is thankfully becoming a more accepted subject in our society – several albums on this list join in that conversation, in fact. But few dive as deep as Birmingham MC K1NG ELJAY. PTSD is an incredibly deep concept album that probes emotions and examines why Black men are wired the way we are. Dope production from Akil Pratt and others are the perfect backdrop for ELJAY’s wild creativity. ELJAY is becoming a master storyteller and this might be his best work to date.

18. Freddie Gibbs, Soul Sold Separately

Read our review here

After Freddie Gibbs topped Soul In Stereo’s Best Albums of 2019 list with Bandana – a near 5-star affair, mind you – and followed it up a year later with another top contender in Alfredo, I had to shake the table: I said that maybe, just maybe, it’s time to consider Freddie Gibbs as one of the best rappers of his generation. Soul Sold Separately is a much different album than the titans that preceded it – less bleak and antagonistic –  but it’s potent in its own right. Gibbs’ wicked flow and understated insight on tracks like “Rabbit Vision” and “CIA” are major highlights, showcasing his usual swagger but subtly edging him closer to mainstream superstardom. Don’t think he’s one of the best of his generation? Gangsta Gibbs is ready to prove you wrong.

17. Benny the Butcher, Tana Talk 4

If Benny’s Tana Talk 3 was his breakout moment, the sequel solidifies his spot. Tana Talk 4 raises the stakes in every way – the guests are bigger, the production bolder and even the concepts are grander. It takes a lot of guts to reimagine a track as iconic as “10 Crack Commandments,” but Benny doesn’t flinch. Sure, the topics remain par for the course ­– movin’ weight and Benny’s ascent to the top of the rap game take up most of the runtime – but his witty wordplay and boundless charisma assures that there’s never a dull moment. Tana Talk 4 doesn’t bring a lot of new ideas to the table but Benny’s winning formula remains intact.

16. India Shawn, Before We Go (Deeper)

Some of you – the haters among us, I might say – may consider the inclusion of this album on our list as a cheat. Before We Go (Deeper) is essentially India’s 2021 EP with seven new tracks added on. But the project doesn’t feel like a retread – the new songs flesh out an already solid EP into an unquestionably great album. D’Mile has been R&B’s MVP producer for several years now, and his influence helps India to raise her game. Throwback soul and midtempo grooves make for some of the best R&B songs this calendar year, with the previous tracks just being icing on an already delicious cake. India’s stunning vocals, D’Mile’s strong production and the duo’s solid chemistry prove that the second time around can be even sweeter.

15. DJ Premier, Hip Hop 50, Vol. 1

Modern music’s obsession with gargantuan albums is exhausting. And I mean that literally for me – I’m the one who has to sit through those 90-minute behemoths to tell y’all what’s great and what’s garbage. So I’m coming to appreciate shorter, more concise releases in my old age. Preemo’s latest EP may just 5 songs but when they’re 5 songs THIS good, you gotta stand up and take notice. When you’re recognized as one of the greatest producers of all time, your name carries respect, which means every artist must raise their game on a Preemo track. You’ve got Nas continuing his incredible roll, Lil Wayne and Slick Rick doing a great odd couple routine, Remy Ma and Raspody morphing into the new Thelma and Louise, it’s quite the experience. If ever you needed confirmation that Preem is still one of greatest behind the boards, this EP proves it.

14. LAYA, Um, Hello

Read our review here

When you’ve been doing this album review gig for as long as I have – longer than some of you reading this have even been music fans, sheesh – it’s pretty rare that a new artist comes along with something so new and fresh that you’re completely caught off guard. That’s why I was so happy when that girl LAYA came through to shake the table. Um, Hello is her first release under the Warner Records umbrella but mostly includes her independently released material. That’s fine by me, because those songs KNOCK. LAYA’s trippy production – from woozy beats to blends of Missy Elliott and Brandy hits – and her offbeat personality make every song an adventure. Whether she’s cosplaying as Sailor Moon or beating down haters on “Bitter,” every track has a quirky authenticity not seen since the days of Timbaland’s Supafriends. In a game where her peers are happy to stick to the script, LAYA is tearing up the pages and writing her own rules. We need more of this.

13. Lucky Daye, Candydrip

Read our review here

Here at Soul In Stereo, we live by these four important words: Lucky. Daye. Don’t. Miss. And we haven’t been let down yet. Diehard Lucky fans were a bit nervous early on when it looked like his sophomore effort, Candydrip, might detour into more … gasp, mainstream lanes. But that’s just a necessity for a rising star like Lucky. Trust me, it all works out. Candydrip is a confection that marries both modern-day stylings and more traditional soul into one cohesive package. Some of the production is absolutely gorgeous, and Lucky knows how to match his vocals in kind. 2022 hasn’t had a ton of standout R&B releases yet, but we can always count on Lucky to deliver. Those four words never lie.

12. Snoop Dogg, BODR

What do Snoop, Michael Jackson and Nas all have in common? All three have never been able to escape the shadow of their most beloved album. In Snoop’s case, no matter how great his LPs are (and some of them are very good indeed), the consensus always seems to go back to “well, it’s not as good as Doggystyle.” No, BODR is NOT as good as Doggystyle (not too many rap albums in the past 20 years are that good, in fact) but it’s by far one of the best Snoop albums in recent memory. Bacc on Death Row harkens back to the heyday of Snoop’s West Coast dominance, and he sound rejuvenated over the 90s samples and throwback G-Funk. BODR is one of the most pleasant surprises of 2022 and proof that legends never die.

11. Vince Staples, Ramona Park Broke My Heart 

I get it, Vince Staples’ self-titled 2021 project wasn’t for everyone. While I considered it one of the best albums of the year, others felt it was a little bland, lacking the vibrancy of earlier efforts like FM. Well, Vince heard y’all. Ramona Park Broke My Heart is a much more vibrant and relatable release, but maintains the same introspection of his best works. Vince clearly wears his heart on his sleeve, detailing heartbreak, pain and his quest to heal as honestly as possible. But despite the heavy topics, the atmosphere keeps the energy high, even when Vince himself is feeling pretty low. The dynamic works very well, and Vince continues to build upon his impressive legacy.

10. Lupe Fiasco, Drill Music in Zion

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We all know the story – after delivering not one, but two of the greatest albums of the 2000s in Lupe Fiasco’s Food and Liquor and The Cool, the third time proved not to be the charm. Things went sideways with album No. 3, a few bad takes and public missteps followed and seemingly everything in Lupe’s career afterward was unfairly written off. But despite the narrative, Lupe has had many good albums since his historic debut and sophomore release – this is one of them. In fact, I think it’s more accurate to call this one Jazz Rap in Zion. The jazzy scores that served as the foundation for architects like  Gil Scott-Heron and the Last Poets – and later superstars like the Jungle Brothers and A Tribe Called Quest – find a home here, and they’re the perfect backing for Lupe’s intricate flows. Lupe’s bars are as cutting as ever and his insight is up there with Nostradamus. The album’s final track became a haunting prediction for a lot of the turmoil that was to come in 2022. This isn’t a Lupe comeback album – he never left.

9. JID, The Forever Story

Full disclosure – I never got the big deal with JID. He wasn’t a bad rapper by any means but nothing he did pulled me in – certainly not to the level that his legions fans on Twitter was claiming. A few tracks into The Forever Story and my opinion didn’t really change. But halfway through – and definitely by the time the album ended – I had changed my tune. JID really is as good as y’all said he is. While I never questioned JID’s rapid-fire lyricism, what pulled me into The Forever Story is, well, his storytelling. He’s described this album as his origin story, a deep dive into family connections and influences that drive him today. The Forever Story is a dense listen but a crucial step in raising JID’s artistry. Plus it won me over, so that’s a big win.

8. Phife Dawg, Forever

Phife’s posthumous album doesn’t come with the hype of Kendrick Lamar or Pusha T’s releases, but that doesn’t keep it from being the most heartfelt album of 2022. Crafted together from unfinished demos, the release is a reflection of Phife’s life post A Tribe Called Quest – working to regain his health, embracing his family while he still can and celebrating the joys of hip-hop itself. In many ways, the album is constructed like a tribute to super producer J. Dilla, with Phife lamenting that he wasn’t able to connect with him before passing. To counter that, this album’s many guest stars work to not make that mistake with Phife himself – Redman, Q-Tip, Rapsody and more come through to bid farewell to Tribe’s trailblazer, along with some gorgeous production to tell that story. Forever is a surprisingly emotional experience, but not one of sorrow. It’s a celebration of hip-hop’s legacy and one of the unsung heroes who helped us fall in love with it.

7. Little Simz, No Thank You

Come on, now Simz! This list was packaged and ready to go until you snuck in an album at 11th hour. But when an album is THIS GOOD, I’m OK with breaking my deadline for this list. Once again, the British MC teams with producer Inflo of SAULT, reuniting the team that brought us last year’s incredible Sometimes I Might Be Introvert. No Thank You is a much tighter, breezier listen but it packs the same emotional punch, all thanks to standout production and Simz’s impressive lyricism. As always, Simz has her heart on her sleeve, with moving tributes to lost friends and keen insight into her community. It’s quickly become one of my favorite drops this year. Not too many artists can slide in a top 10 album out of nowhere but, well, not too many artists are Little Simz.

6. Joey Bada$$, 2000

In 2012, Joey looked like he was next up. His landmark mixtape 1999 bridged the growing gap between hip-hop generations – a 17-year-old kid who directly related to younger listeners but whose affinity for boom-bap and 90s icons appealed to older heads. The albums that followed were pretty strong, but he always seemed to get overshadowed by bigger, flashier names. 2000, his third LP, looks to restate his claim to the crown, proclaiming himself among the holy trinity that includes Kendrick Lamar and J. Cole. And while, again, this album didn’t get the buzz it deserved, Joey absolutely proves his worth as an MC. Joey branches out from boom bap to incorporate more contemporary sounds. His chemistry with producers Statik Selektah and Chuck Strangers rivals the synergy between Nas and Hit-Boy. But, as you’d expect, Joey’s real strength is his effortless wordplay – his pen is as sharp as ever. There are lots of albums on this list that may not have been on your radar. If 2000 hasn’t crossed your playlists yet, catch up. Joey’s still an unsung hero in hip-hop.

5. Ari Lennox, Age/Sex/Location

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Not long ago, over on the digital deathly hallow known as Twitter, a few friends were participating in a spirited debate: Is Ari Lennox on her way to becoming this generation’s Mary J. Blige? Well, Mary J was the voice for young women in the 90s. And after listening to Age/Sex/Location, Ari’s sophomore album, it’s becoming more clear that she could be that voice for women in the 2020s. Ari’s warbling, raspy vocals and unflinching honesty made 2019’s Shea Butter Baby a standout release. Impressively, Age/Sex/Location builds upon that foundation with improved and more varied production, all while retaining that realness that makes her music so relatable. It’s Ari’s best project to date, an honest reflection of relationships in 2022 that doesn’t shy away from turmoil but refuses to dwell on it. There’s an optimism here that’s been lacking in music of so many of her peers. Add the stellar production and it’s a major win for a rising star and a genre that’s ready for new blood to push it ahead.

4. Durand Bernarr, Wanderlust

Durand Bernarr should be a STAR. And I’m not saying he’s not already successful. I mean this guy should be the center of R&B’s current universe. His 2020 effort Dur& was a pleasant surprise but Wanderlust raises the stakes in every way possible. Durand’s music is so fresh because he refuses to compromise who he is – every song bursts with personality and energy. One minute he’s dismissing his date because homie looks better than Durand (and we can’t have THAT), the next he’s running to the powder room because his bladder can’t keep up with his martinis. Tie that wit to well-crafted songs and vocals that can bring down a house and you have one of the most engaging listens of 2022. Durand’s music isn’t just fun, it’s smart and 100% authentic to who he is. Wanderlust is a star-making release, and it’s the best R&B album of 2022. Step into his galaxy, you won’t regret it.

3. Pusha T, It’s Almost Dry

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For better or worse – actually, it’s always better – you know what’s coming on every Pusha T verse before he yells YUUUUUUGH into the microphone. Those hoping that It’s Almost Dry, Pusha’s latest LP, diversifies his portfolio, well, you might wanna shop elsewhere. This is exactly the album you’d expect – boastful tales of powder and power from Va’s favorite son. Production from cohorts Kanye West and the Neptunes pave the way as Pusha bends his trademark coke bars to his will. And, of course, the highly publicized return of Malice shows that the brothers Thornton continue to have an undeniable bond. It’s Almost Dry is another gem in a crown that Push has worn for more than two decades. Yeah, we’ve heard these war stories before – but few tell them as well as Push.

2. Nas, King’s Disease III

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I would say “third times the charm” but at this point Nasir is four for four in terms of recent greatness. Nas has truly found his muse in producer Hit-Boy. The duo have made magic – and not just the album of the same name. Magic, along with the first two installments of the King’s Disease series, have become the stuff of modern legend. And with the edition of Kings Disease III, Nas has four albums in the span of two years that rivals some of his best work ever. King’s Disease III feels like the culmination of the Nas/Hit-Boy partnership, embracing regal ambiance of the first two installments but is much more lyrically dense, in the vein of Magic. The result is one of the best albums of 2022, featuring Nas celebrating nearly 30 years of hip-hop while continuing to embrace his role as the godfather of the game. For those who spent the past decade doubting Nasir’s legacy, we await your apology. This is the best rapper alive.

1. Kendrick Lamar, Mr. Morale and the Big Steppers

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Five years is an eternity in today’s fast-moving music scene. That makes Mr. Morale and the Big Steppers, Kendrick’s first release in half a decade, arguably his most important LP to date. Unlike most of his generation, Kendrick hasn’t fallen into the trap of dropping hollow releases or resorting to Twitter antics to keep his name trending. In fact, his recent absence, especially during the social unrest of 2020, had even his most ardent fans and colleagues questioning his commitment to the cause. His response? “I am not your savior.” Playing out like an open therapy session, Kendrick bares his soul as only he can – blatantly admitting his faults and fears while empowering listeners to not look to celebrities for leadership, but to look within. Mr. Morale and the Big Steppers is a mature, thoughtful tome of an artist staring in the mirror, confronting his own demons. It’s by no means an easy listen, and that’s probably why this is the most divisive album in his catalog. The radio cuts and club bangers are all but nonexistent but Kendrick’s brutal honesty and next-level artistry make Mr. Morale and the Big Steppers one of the best albums the genre has seen in years. It’s not for everyone, especially not younger fans – it takes a bit of personal experience to relate to Kendrick’s journey. But for those who can relate, it’s an unforgettable experience. It’s the first album to receive a 5-star review on this site in a full decade – clearly the wait was worth it. And it’s unquestionably the best album of 2022.

What were your faves of 2022? Scream bloody murder about who I left off this list in the comments below.