The 50 Best Albums of 2024
2024, you raggedy heffa.
Ever since Kat Williams opened his mouth in January – and along with it, Pandora’s Box – the past 12 months have shown us some of the wildest, messiest and most divisive moments I’ve ever experienced in my lifetime.
It’s been a LOT. And that has bled over into the world of music.
When we started 2024, I had extremely high hopes for the genre of R&B. Despite a large number of high-profile releases from legends and promising newbies, more than a few failed to measure up. Some of the biggest names in rap also experienced disappointing outings and serious backlash.
…And that’s before we even got to Canada Dry’s public flogging.
Obviously, 2024 will go down as The Year of Kendrick, but he was far from the only winner.
(Spoiler: He didn’t even have the best album this year)
West Coast rappers went on a tear of their own, dropping incredible projects left and right. It was also the year of the Woman MC – after a decade of clones doing the same ol, same ol, we were blessed with a new set of artists who broke the mold to tell their stories on their own terms. We even saw a revival of pop music that rivaled the heights of the 2000s bubblegum phase.
Kendrick will tell you there was a lot to hate about 2024. Instead, there was a whole lot to love.
I listened to 239 LPs, EPs and mixtapes so you wouldn’t have to. Here are the 50 best projects I heard all year.
Honorable mentions:
Skyzoo, Keep Me Company
Logic, Ultra 85
IDK, BRAVADO + INTiMO
Brittany Howard, What Now
Genia, 4 AM in the Ville
Syleena Johnson, Legacy
Annie Tracy, ACT II
Ransom & Harry Fraud, Lavish Misery
Heems & Lapgan, LAFANDAR
Conway the Machine, Slant Face Killah
Louis York, Songs with Friends
Gallant, Zinc
Eric Benet, Duets
New Kids on the Block, Still Kids
Boldy James, Trapper’s Alley: Pros and Cons
Jae Skeese, Ground Level
Blu & Exile, Love (the) Ominous World
Jynx716 & Che Noir, ANDY
Devin Morrison, Dreamsoul Ballads
Boldy James & Nicholas Craven, Penalty of Leadership
D2x, The Hunger Era
Aaron Frazer, Into the Blue
Terrance Martin, Nintindo Soul
Tems, Born in the Wild
Hiatus Kaiyote, Love Heart Cheat Code
Jade Novah, Where Have I Been?
38 Spesh, Mother & Gun
Avery Sunshine, So Glad to Know You
Westside Gunn, Still Praying
KXNG Crooked & Joell Ortiz, Tapestry
Ka, The Thief Next to Jesus
Jaz Karis, Safe Flight
50. Usher, Coming Home
No, it’s not Confessions 2, but we’ll take it. Usher’s return to prominence has been the biggest story in R&B in recent memory, with his Super Bowl performance in February being the largest stage for R&B – literally – in years. True to its name, Coming Home is Usher’s re-entry into the house that he helped build, and when he’s focused, few can touch him. Coming Home really shines on the second half of the album, when he embraces his signature sensuality. Tracks like “One of Them Ones,” “I Am the Party” and “Please U” feels like they were plucked from his glory days, while efforts like “Bop” are a more modernized take on his sound. Sure, there are a few shaky moments to be found (let us ever mention that “Big” song) but overall this is a very welcome homecoming.
49. Sir, Heavy
Sir has been going through it, but we all know that pain is a powerful motivator for great music. Heavy lives up to its namesake – a look at our world through the eyes of a very weary artist. But Sir shines brightest when he leans on his vulnerability. The production has more urgency than his previous releases, using the oft-dreaded trap&B production to greater effect than most of his peers. Heavy is, well, heavy, and even a little clunky at times, but that adds to its effect. Sir maneuvers around hardship the best way he can, but the journey is always more interesting than the destination.
48. October London, October Nights
Last year this time, October London was a gaining momentum, and growing fanbase, after his debut album invoked the spirit of Marvin Gaye. As impressive as it was, I was more interested in the next step of his evolution. October Nights proves that he can be more than a Marvin tribute act. On his latest, the nods to 70s soul are still strong, but has no problem branching out, giving listeners upbeat cuts and soulful midtempos that serve his vocals well. He also finds great chemistry with guests like Tyrese and Ledisi, and his effort with Babyface, “Missing You,” might be his best track to date. He’s clearly an old soul, but he has no trouble bringing that soulfulness into a new era of R&B.
47. Juicy J, Ravenite Social Club
When one of my guys hit me a few months back and asked, “did you know Juicy J had a jazz album?” I couldn’t wrap my head around it. I assumed it would sound like one of those weird YouTube mashups where someone laid “Sippin on Some Syrup’s” lyrics over Kind of Blue. Thankfully, what we got was much more intriguing. As expected, the real draw of Ravenite Social Club is hearing Juicy J over lavish production, but what I didn’t expect was Juicy providing lots of maturity and introspection to match the classy soundscapes. He also adjusts his flow a bit, marrying his bars with the production’s flow instead of rampaging all over it. Listening to him pay tribute to fallen friends like Gangsta Boo, Lord Infamous and Koopsta Knicca in this setting makes those tributes feel even more meaningful. If you ever made the mistake of locking Juicy J into a box, think again. Ravenite Social Club proves that there’s much more to his game than he gets credit for.
46. Dom Kennedy, Class of ’95
The West Coast influence is HEAVY on our list this year, and, trust, it’s well-deserved. Dom is one of those industry vets who never quite gets his due, but Class of 95 should be the project that puts him at the head of the class. The soulful inflections in his production choices elevate it over the usual run-of-the-mill trap beats and Dom rarely misses a step when he’s afforded a time to shine. Whether he’s pondering his status in the rap game or bragging about his success on the indie scene, Dom’s confidence never wavers and that signature swagger elevates every track. 2024 was the year of the West, and Dom should get props for holding down his hometown.
45. GloRilla, Glorious
GloRilla’s 2024 has been the culmination of a storybook career run so far. With every outing prior to the official release of her debut album, she got a little more confident. Her bars got tighter. The beats hit harder. Between her infectious charisma, her unapologetically Southern dialect, ultra-aggressive delivery and her surprisingly transparent and introspective outlook on life, a star was born before our eyes. They’re all the elements that make Glorious a winner. There’s no question that the album boasts bangers aplenty – we’ve all been shouting YEAH GLO for the better part of 12 months. But this album truly shines when she lets her guard down and her authenticity shines. “Stop Playing” is an anthem of self-affirmations, “Don’t Deserve” yearns for unconditional love and “Rain Down on Me” even takes us to church for a bit. 2024 shows that Glo is more than just meme music, she’s an artist with so much to say. Let the story continue.
44. Leon Thomas, Mutt
Leon Thomas’ debut Electric Dusk was one of 2023’s most overlooked releases, so I hope y’all pay close attention to album No. 2. Mutt’s biggest claim to fame is the feisty title track, but there’s much more to discover here. Mutt is an ode to the complexity of relationships, from erecting emotional boundaries to tearing them down to rekindle lost loves. Even though the mood is mostly mellow, Thomas picks of the pace of the production when it best serves the story he’s telling. Leon is evolving into one of R&B’s most eclectic, yet consistent voices. Not bad for a mutt.
43. Eminem, The Death of Slim Shady (Coup de Grace)
Let’s be real – there’s no way Eminem can win. The harder he raps, the more he’s accused of going over listeners’ heads. The more humor he gives us, the more he’s accused of being a clown. The more he embraces his love of hip-hop, the more we hear those culture vulture accusations. So for Em, it’s time to let the world burn – at least metaphorically. The Death of Slim Shady (seemingly) is the last hurrah of Marshall’s infamous alter ego, which gives him one last time to give the middle finger to his critics. But after years of so-so projects, this Marshall vs Shady concept actually gives Em something to sink his teeth into. I never questioned Em’s talent, I was skeptical of his focus. However, he’s locked in here, going toe-to-toe with the next generation of spitters while confronting the ghosts of his past and realizing that those 1999 shock antics just don’t hit the same in 2024. We’ve spent decades watching Marshall mature from unhinged kid to level-headed family man. This is a strong way to end that story and finally start a new chapter.
42. Vince Staples, Dark Times
If you couldn’t which direction Vince Staples was going with Dark Times, just stare into the empty abyss that is the album cover. Yep, it’s heavy. But that’s the thing about Vince – he’s never shied away from the tough convos. Album No. 6 is often a bleak experience, but there’s enough introspection to keep things from becoming too depressing. Whether he’s wrestling with the loss of his heroes or a love interest causally tossing him aside, you truly feel the weight of the world on Vince’s shoulders. But thanks to his nimble flow and engaging storytelling that’s always loaded with twists and turns, Vince makes even the bleakest moments engaging. Dark Times isn’t always an easy listen, but it’s an essential one – not just for the listener, but for the author himself.
41. BigXthaPlug, Take Care
BigXthaPlug is something special. He has the confidence. He has an insanely catchy flow. And on Take Care, his sophomore album, he has an exquisite ear for production. Big X floats on the most random samples you can imagine – The Isley’s “Contagious,” the theme to Law & Order, Rick James’ “Give It To Me Baby,” for starters – and he nails it every single time. It’s that unpredictability, along with Big X’s commanding flow and knack for storytelling, that makes Take Care one of 2024’s most pleasant surprises. This man can rap over anything.
40. Mach-Hommy, #RICHAXXHAITIAN
Ride with me on this one, but Mach-Hommy reminds me a lot of MF DOOM. And coming from me, that’s a pretty high complement. Not only does he value his mysterious aura (has anyone seen him unmasked? I haven’t) but he has an equally unorthodox approach to his delivery. And just like DOOM, there’s a lot of value in dissecting and unraveling his bars. #RICHAXXHAITIAN comes off the heels of the acclaimed Pray for Haiti, and it doesn’t take a hit in quality. The soulful, sparce production gives Mach room to unfurl his intricate bars and even when guest stars like Black Thought and Roc Marciano threaten to steal the spotlight, he quickly steps back to the forefront. Mach is a deep storyteller, especially when reflecting on his life in Haiti, but the best part is that he always keeps us guessing.
39. Saigon & Fredo, The Jordan Era
Saigon was once heralded as one of rap’s saviors in the mid-00s, before his incredible debut was derailed by unforeseen circumstances. Undeterred, Saigon is still on a mission to make rap better, and in this case he looks to the past. The Jordan Era is the Time Stone that helps him turn back the clock. Swedish producer Fredro laces Saigon with production straight out of rap’s Golden Era, making this feel like an authentic history lesson. From the genius of “Tournament” (“a tourney of torment you can enter for 64 cents!”) to heartfelt lessons against the evils of gun violence, Saigon authentically captures the spirit and lessons of a more innocent time. Saigon has several great albums on his resume, but this may wind up as his most meaningful.
38. Andra Day, Cassandra
Now obviously, Andra Day is no stranger to the spotlight. Her 2015 debut album, home to the inescapable song “Rise Up,” turned heads, as well as her award-winning portrayal of Billie Holiday in 2021. But in my view, Cassandra is not only her best album to date, but also the best showcase for her immense vocal talent. It’s an album that constantly keeps your ear guessing, bouncing from gospel-tinged melodies and jazz influences to hip-hop and vintage pop. And, as you’d expect, each track is delivered with the soul-stirring vocals that first made us rise up from our seats years ago. Andra’s talent was ever in question, but Cassandra proves that she isn’t just a great singer and a great actress – she’s a true artist.
37. Jae Skeese & Superior, Testament of the Times
Jae Skeese gave us two strong projects this year, but there’s something that hits a bit different on this one. Jae blew me away with 2023’s Abolished Uncertainties, one of the best rap releases of that year. Clearly he’s not one to lay low. Testament of the Times, with producer Superior, continues to keep that momentum rolling. While the previous album was a bit more introspective, Jae seems more ready to go for the jugular here as he delivers deliberate bars over a wide range of strong production. He hasn’t lost his storytelling chops, as he often reflects on family and self. But his mission is clear – he wants to be taken seriously as a major force in the game. Albums like this make his case stronger and stronger.
36. Marsha Ambrosius, Casablanco
Look, part of me is just happy we actually got this album on time. Y’all know how Dr. Dre moves – we were talking about Detox back when Bernie Mack was airing new episodes, and that thing is still sitting in the back of his freezer. Jokes aside, when word leaked that one of R&B’s most dynamic voices would link with one of hip-hop’s preeminent producers, we knew magic would result. And we weren’t wrong. Casablanco is a sonic experience that exists in its own world, a melding of classic hip-hop samples with jazzy backdrops that presents Marsha as a hood Hollywood starlet. If we ever get that Black James Bond, this would be his soundtrack. As always, Marsha’s pleading vocals are gripping and work especially well against the elegant atmosphere. Casablanco might not be everyone’s cup of tea – it takes a couple of listens to digest – but it’s the type of experimentation R&B sorely needs. This one feels like cinema.
35. Maxo Kream, Personification
I’ve seen critics call Maxo’s latest release “more of the same,” and, yeah, it’s hard to argue with that. But when it’s more of the same really good stuff, I won’t complain. Maxo knows his greatest strengths are his commanding delivery and his engrossing storytelling, and that’s what he keeps giving us. Personification is essentially Maxo’s life on audiobook, and the way he weaves compelling stories like “Big Hoe Me” feel like they should be a template for a Hulu miniseries. Strong guest stars and solid production are all Maxo need to make Personification a gripping narrative. This is the life Maxo knows and I’m perfectly fine with him keeping the stories coming.
34. Muni Long, Revenge
Most Soul In Stereo regulars know that Muni Long has been in the game a mighty long time – I’m talking before Instagram was even invented – and it’s cool to see decades of hard work finally pay off. “Made for Me” became THE viral hit of 2023 but she’s not coasting of the success of that one hit. Revenge, her best LP to date, is proof that she’s ready to strike back against the doubters. Songwriting has always been her greatest strength, which gives the sonic stories of tracks like “30s,” “Things I Never Said” and “Superpowers” (one of my favorite tracks of the year) much more meaning. Her fiery delivery and flashes of vulnerability make this project as entertaining as it is sincere. Even with all her experience, Muni’s still growing as an artist. Growth looks good on her.
33. Tha Dogg Pound, W.A.W.G.
Sometimes the heart wants what the heart wants, and all this 90s kid wanted was that G-Funk sound. With W.A.W.G., Tha Doggs delivered. Feeling like a love letter to their glory days, Tha Dogg Pound recaptures the spirit of that mid-90s sound but adds the maturity that comes with being seasoned vets in the game. Hearing Daz and Kurupt celebrate grandchildren and work toward building their families’ legacy is the type of OG talk that’s sorely needed in today’s hip-hop. Don’t mistake their newfound kindness for weakness though, as they still spit with the hunger of malnourished pups from 1995. West Coast hip-hop has experienced a lot of wins this year (hi, Kendrick) and the timing couldn’t be better for this Dogg Pound victory lap.
32. Masta Ace & Marco Polo, Richmond Hill
Masta Ace has long made a case for being one of the most underrated rappers of all time – maybe THE most underrated. I proudly proclaimed A Breukelen Story, his last LP with producer Marco Polo, as one of the best rap albums of the 2010s. When it’s all said and done, Richmond Hill might make the list for the 2020s. Like all of Ace’s albums, there’s a running narrative – this time, following the early years of Marco’s life. Ace serves as narrator to details the highs and lows of life, from the trappings of materialism to the importance of believing in self. What pulls this all together is Ace’s unwavering flow and Marco’s diverse production. I’m a sucker for storytelling, and Masta Ace and Marco are quickly becoming rap’s Coen brothers.
31. Ledisi, Good Life
Don’t call it a comeback, she’s been dropping heat for years. After taking a few years off to conquer Hollywood, Ledisi’s return to the booth for her 11th studio and shows no signs of rust. Although Good Life is all about embracing the happiness of the moment, Ledisi doesn’t shy away from the harsh realities of womanhood. Production from heavy hitters like DJ Camper and really strong collabos with Butcher Brown and Kenny Lattimore (the latter being one of the best duets of the year) give Good Life the edge over many other R&B releases this year. Ledisi rarely disappoints and Good Life doesn’t break that streak. Back like she never left.
30. Shantel May, Triggered, But Here
We love when a new artist just … gets it. Shantel May debut is one of the year’s most pleasant surprises, and it’s clear she’s a student of the game. While many emerging artists in the R&B space have run away from the genre’s storied history, Shantel knows when to embrace it. Triggered, But Here details her journey through love and life, but with a nod to those who paved the way. Take, for example, “Ex” – a bare-boned, moody reimaging of Mya’s energetic “Case of the Ex.” It’s familiar, but totally fresh and unexpected. Shantel borrows from R&B’s traditions and hip-hop’s edge to build a debut that stands out among most of her peers. Album No. 1 is a success, and I can’t wait to see what’s next.
29. Brother Ali & unJUST, Love & Service
Love & Service is the best kind of nostalgia bait. The premise is simple: Producer unJUST chops up clips from educational kids programming from the 70s and 80s, while rap vet Brother Ali uses his OG wisdom to carry those lessons into 2024. What could easily become weary and preachy instead is much more fun and engaging. Credit Ali’s deft delivery and the inventive production. It’s one of the best kept secrets of 2024.
28. Sy Smith, Until We Meet Again
Some things are just meant to be. Although Sy Smith has been in the game since Clintons were in the White House, her most recent accolades have come from being the Foreign Exchange’s secret weapon. Now officially under the FE banner, Until We Meet Again boats that same fulfilling, expressive soul that carried those previous projects. Though the album has melancholy moments, it really thrives when Sy embraces nostalgia – like “Summer of 93” – or showcases her flirty side, as on “Slide.” Even when the subject matter gets heavy, the warm production and her inviting vocals still can make heartbreak feel good. Until We Meet Again is a full-bodied R&B experience that only a veteran like Sy can pull off effortlessly.
27. Megan thee Stallion, Megan
It’s no secret that I haven’t been all hat enamored with Megan thee Stallion’s rise to rap queendom. Outside of a few freestyles, her singles, her LPs, her mixtapes, they’re all just … fine at best. But on Megan, she has a lot to get off her chest, and the result is her most impressive album to date, by far. This isn’t just a Hot Girl Summer, this woman is downright heated. Tired of being the victim of hip-hop’s rampant misogynoir, Meg fires back with some of her most biting bars ever. But it’s not just diss tracks – Meg embraces her love of anime and her Southern rap roots to great effect, making this an album that goes beyond formulaic club tracks. A focused Meg is a dangerous Meg. She’s finally reaching her potential.
26. Blu & Evidence, Los Angeles
Y’all though Kendrick was busy man in 2024? Well, there was another West Coaster who went even harder. Blu blessed us with FOUR great projects this year, and while all of them were notable, his collabo with Evidence stood tallest. True to its name, Los Angeles is a beautiful ode to the City of Angels, and the production makes the city a character itself in this audio motion picture. Blu’s a master storyteller and he posits on everything from the circle of life to the maddening LA traffic. It’s that realness that makes Los Angeles such a down-to-earth experience. No region went harder than the West this year, and while other artists may have had higher profiles, Blu and Evidence were in the trenches, putting on for their city.
25. Yolanda Adams, Sunny Days
There was a point in my music fandom when it seemed like Yolanda Adams dropped an album almost yearly, so it’s incredible to realize that Sunny Days is her first LP in 13 years. Lord knows we need her optimistic ministry more than ever. Yolanda is an encourager by trade, and nearly every track here bursts with hope and empowerment. And while her roots are firmly in the old-school sanctuary, her music rarely feels out of date. The power in her voice and the energy she unleashes with each note force you to move or reflect. Sunny Days doesn’t reinvent Yolanda’s sound, it just reaffirms that after 13 years, she still knows how to shine.
24. Mario, Glad You Came
Every year, one artist always slides in under the wire to make the year’s Top 50. Although Mario was operating on CP time, it was definitely worth the wait – Glad You Came is his best project in years. And maybe one of his best ever. Mario was barely a teenager when he was introduced to us back in the early 00s, so it’s easy to forget that he’s enjoyed a 20 year career and still under age 40. But with age comes wisdom and Glad You Came shows Mario embracing maturity. He finds incredible chemistry with James Fauntleroy, who gifts Mario with soulful soundscapes and mellow production – the perfect backdrop for his underrated vocals. While his peers are still chasing hip-hop trends, Mario embraces his romantic side, crafting a more soulful – and sultry – experience. It’s grown folks music of the highest order.
23. Lupe Fiasco, Samurai
I’ve said it many times before, and I’ll continue to say it here – everything that we celebrate J. Cole and Kendrick Lamar for today, Lupe was doing at an equally high level (arguably, even higher) a half-decade earlier. But instead of rehashing what could have been, Lupe seems focused on his present. After the success of 2022’s Drill Music in Zion, Lupe unsheathes Samurai, an album cut from the same jazzy cloth as its predecessor. What results is a masterclass of lyricism, featuring mind-bending storytelling and dense wordplay that forces the listener to peel back every layer to maximize the experience. At just eight tracks, the margin for error here is razor thin and there are few stumbles, proving that this Samurai is as light on his feet – and deadly – as ever before.
22. Seafood Sam, Standing on Giant Shoulders
I’m pretty late to the Seafood party – I’ve only been listening to his music for about a year now – and it’s clear I’ve been missing out. My first impression was that this guy has an immaculate ear for beats; listening to his tracks is like sitting in the lap of sonic luxury. But what makes Standing on Giant Shoulders so impressive are the flows between those notes. Sam effortlessly glides over production that feels plucked from the glory days of Stax Records. His laid-back charisma and addictive production make Standing on Giant Shoulders one of 2024’s most underrated efforts.
21. NxWorries, Why Lawd?
Anderson.Paak and Knxwledge are one of those duos I never knew we needed but now I can’t picture the game without them. Their debut Yes Lawd was one of the hidden gems of 2016, laced with catchy production and effortless swag. If Yes Lawd represents the kids being carefree, Why Lawd is an exploration of the maturity – and heartbreak – associated with growing up. Though the themes are often heavy as the duo explores the consequences of living recklessly, the production is as engaging as ever. Knxwledge’s beats are absolutely decadent, giving Paak plenty of room to showcase his charisma. It took a long time to get here, but this follow up was worth the wait.
20. Freeway & Jake One, Stimulus Package 2
Freeway seems to only be mentioned when fans reminisce about bygone eras, specifically the 2000s reign of the Roc. But despite label woes and health challenges that would have silenced most, the Philly Freezer is still ice cold. He reunites with Jake One for Stimulus Package 2, the sequel to their beloved union way back in 2010. Freeway sounds rejuvenated as he spars with peers like Jadakiss, Black Thought and Peedi Crakk, all while Jake One laces the tracks with the soulful grit you’d expect from a Freeway release. Stimulus Package 2 is comfort food for fans looking to revisit the sound that defined better days, and it’s a reminder that the 1-900-Hustler ain’t going anywhere.
19. Ab-Soul, Soul Burger
Ever since I was blown away by Control System back in 2012, I’ve considered Soulo to be the secret weapon in the TDE camp – rarely used but always devastatig. Though bouts of depression slowed his career as it seemed to be picking up steam, Soul Burger, a tribute to fallen friend DoeBurger, puts Ab-Soul back on track. Soulo’s best asset is his unpredictability, weaving out of cadences at will. Tracks like “B.U.C.K.O. Jr.” are a masterclass in rap technique and, thankfully, Ab-Soul never sacrifices his wordplay as he twists his words into lyrical knots. And as expected, Soul Burger is often a heavy listen as Soulo tries to find inner peace. But hearing him peel back layers of his pain is both cathartic for the listener and himself. Ab-Soul is still trying to figure life out but, thanks to his boundless talent, you won’t regret joining him on his path for peace.
18. Killer Mike, Michael & The Mighty Midnight Revival – Songs For Sinners And Saints
Nobody was happier than me when Killer Mike’s incredible Michael album received its just due at the Grammys earlier this year – well, I’m sure Mike was happier I was, of course. And that energy clearly fueled his latest release – Michael & The Mighty Midnight Revival – Songs For Sinners And Saints. While it’s an obvious spinoff from the previous project, it’s not a retread. SFSAS uses the elements that worked on the previous project – the heavy gospel influence and his unabashed vulnerability – to build something new. This time, Mike goes into current-day troubles, like the arrest that followed his big Grammy win. Though he’s ferocious in the booth, it’s his humility that makes his music so down to earth. It seems every time Mike gets pulled into the mud, he emerges more focused than ever. This album is a reflection of that.
17. Denzel Curry, King of the Mischievous South Vol. 2
There was once I time where I, your humble yet close-minded music reviewer, would not allow mixtapes on my year end list. They weren’t REAL albums, you see. But over time, the lines between EPs, LPs, mixtapes, etc., began to fade. Mixtapes sound like albums now– and trust me, King of the Mischievous South Vol. 2 is as strong as any “real” album you’ll hear this year, hence it’s high ranking. With each project, Denzel Curry becomes a more potent artist and his latest continues to show his evolution, as well as paying homage to Southern rap’s greats. Sometimes Miami bass music, sometimes soulful Memphis cuts and everything in between, Denzel’s frenetic energy dominates every track, even when he’s joined by some of the biggest heavyweights of Southern hip-hop. Denzel constantly feels like one of those artists who is one hit away from major superstardom. But he’s not wasting his time, he’s just staking a collection of albums/mixtapes/whatever, waiting for the world to catch up to his greatness.
16. Tyrese, Beautiful Pain
Tyrese has been through it – just ask him. And while you can certainly question some of his more public antics – y’all know I have – there are two things you can’t take away from him: his passion and his talent. Beautiful Pain is a heavy but mesmerizing look at Tyrese’s romantic struggles, leaning heavily into 70s-inspired production and performances. Despite it being a lengthy project, it rarely drags, thanks to Tyrese’s stirring performances. Seriously, it’s some of his best vocal work in his career. Heartbreak always makes the best music, and Tyrese is keeping that tradition alive.
15. Marv Won, I’m Fine, Thanks for Asking
Marv Won has been in the game longer than some of y’all reading this post have been alive, and although he’s a seasoned veteran of the battle rap scene and has been upholding the banner of Detroit for decades, he still hasn’t received the exposure he’s due. Do us both a favor – after you finish reading this thrilling review, of course – and get familiar with I’m Fine, Thanks for Asking. Marv’s strength is his ability to paint vivid pictures with each verse. When he lays out his dreams to attend the Roc Nation Brunch, you can feel his excitement to hobnob with the greats – and you can almost smell those mini muffins in the air. Likewise, you can feel his mom standing over his shoulder has he vents his frustration on “Nosy.” Those lived experiences come to life on the track – bars crafted by an expert storyteller. It’s hard for most artists to drop an album this strong 20 years into their career, but I’m Fine, Thanks for Asking is his best work yet. Hopefully, he gets the eyeballs he rightfully deserves. As long as it’s not his mom prying again….
14. Benny the Butcher, Everybody Can’t Go
For far too long, Benny and the Griselda gang have been locked inside the boom-bap box, unfairly characterized as one-trick ponies. Props to the crew for showing the doubters just how diverse their arsenal can be. Everybody Can’t Go is the next chapter in Benny’s career, a delicate balance of his gritty early work and visions of mainstream appeal. Alchemist and Hit-Boy come through to provide a fresh update to Benny’s sound, blending ethereal production and soulful beats as backdrops for the Butcher’s war stories. Benny remains one of the game’s most intriguing storytellers, delivering every bar with a boastful confidence and pinpoint precision. “Jermaine’s Graduation,” equal parts victory lap and survivors guilt, stands as one of the best rap tracks of the year. Benny always feels like he’s a few steps away from reaching that next level of stardom, and this album doesn’t break his stride.
13. Che Noir, The Lotus Child
Che Noir is three for three. After her head-turning debut As God Intended – one of the bright spots of a dismal 2020 – and delectable sophomore follow up Food for Thought, Che keeps her momentum rolling with The Lotus Child. Che’s life hasn’t been all roses and dandelions, and she has no fear sharing her truths over gloomy boom bap and soulful backdrops. But this is no pity party. Even when detailing the loss of family members or sleeping in cars, her confidence – and hope – is staggering. Sure it’s just eight tracks long, but she maximizes every minute thanks to her intricate storytelling and effortless delivery. The ladies of hip-hop pulled no punches in 2024 and Che is among the best of them.
12. Common & Pete Rock, The Auditorium Vol. 1
Pair Common, quietly one of the greatest MCs in rap history, with Pete Rock, easily one of the best producers to step behind the boards and you’re guaranteed success. And yes, The Auditorium Vol. 1 lives up to expectations by giving the intended audience exactly what it wants. Common’s immaculate flow is rarely an issue, though some of his lesser projects are burdened by ponderous production. That’s not the case here. Whether the beat is a slice of soul or sports a harder edge, Common doesn’t lose focus, delivering each syllable with the ease and intensity of a seasoned vet. The Auditorium Vol. 1 is a blueprint for veterans still looking to prove themselves in modern hip-hop – there’s no need to reinvent the wheel, just do what you do best.
11. Lalah Hathaway, VANTABLACK
Despite my reputation for wildin out when garbage music infiltrates my airpods, I’m never reactionary when it comes to my music takes. If I write it or said it, I put a lot of thought into it. So when I went on social media and proclaimed that VANTABLACK is likely Lalah Hathaway’s best album ever, many of y’all said it was recency bias. Well, that bias must be mighty strong because weeks later I haven’t changed my mind. Lalah has always been blessed with one of the most enduring, yet underrated, voices in modern music. She’s always had great songs. The production has always been solid. But on VANTABLACK, all three of those elements come together like never before. The album’s title refers to the deepest shade of black, so, true to its name, this LP is an exploration of blackness on the deepest levels. It’s an submersive yet empowering experience that brings the listener into Lalah’s journey while bringing them closer to their own. All of her projects are strong but this is her blackest, and likely, her one best yet.
10. Slum Village, F.U.N.
Slum Village has had more lineup changes than Dru Hill but the homies have always been undeterred, adapting and changing with the times. At this point, T3 and RJ, just want to have F.U.N. RJ’s production steals the show here, veering away from their most-known J. Dilla inspired sounds to embrace a more diverse vibe. Sometimes it’s funky, sometimes it’s more traditional boom-bap, but it’s always a good time. The duo are totally confident in their own skin, the cool uncles at the party who don’t care who are looking, they’re dancing anyway. T3 and RJ are in their own world having a blast. It’s our privilege to sit back and watch.
9. Tyler, the Creator, Chromakopia
Mask on? Eff it, Mask off. With each Tyler, the Creator project, you never know which Tyler you’re going to get, and I’m sure that’s by design. Chromakopia is yet another attempt to keep his audience guessing. Serving as a metaphor for the evils of celebrity worship (an extremely timely message this year specifically) Tyler weighs life behind the mask, whether it’s hiding behind facades or the fear of being misunderstood. But as heavy as the themes can get, Tyler’s maniacal flow and twisted humor never fail to entertain. Better believe “Sticky” will be performed at every HBCU halftime for the next half-decade. Chromakopia can be ponderous or flat-out weird, but it also boasts a bevy of timely messages. Tyler will keep you guessing, but he’ll also keep you thinking.
8. Doechii, Alligator Bites Never Heal
It’s been a banner year for Doechii – Grammy nominations for Best New Artist and a nod for her banger “Nissan Altima,” as well as a Best Rap Album nom for her best project to date, Alligator Bites Never Heal. Though I guess it’s technically a mixtape, this release has plenty of teeth. It’s an intentional sharp left turn from the success of her breakout hit “What It Is,” delving into much more diverse production and performances. Whether it’s moody R&B, introspective hip-hop, or frantic radio-friendly fare, nearly every track lands. Throughout the mixtape, Doechii often wrestles with imposter syndrome, wondering if the clock is ticking on her success. She has nothing to fear – Alligator Bites Never Heal lays the groundwork for a long, successful career. You heard it here first – she’s next up.
7. LL Cool J, The Force
Let’s talk about legacy. LL Cool J is one of rap’s greatest architects, essentially the prototype for the mainstream rap star. After decades and decades of hits and classic albums, James Todd owes us nothing. But hip-hop is a “what have you done for me lately” type of industry, and LL is more than happy to step in the arena and prove that he still have the moves. The Force is truly that – a force of lyrical nature. LL turns back the clock to spit with reckless abandon and absolute fury, and thanks to rock-solid production from fellow veteran Q-Tip, the beats easily match his bluster. The Force has so much energy – so much passion – that you’ll forget that it’s author has been doing hip-hop longer than 95% of the artists on this list have been alive. Don’t call it a comeback, call it confirmation. The greats are eternal.
6. Sabrina Carpenter, Short n’ Sweet
Nope, that’s not a typo and I haven’t lost my mind – Riley from the Disney Channel’s Girl Meets World really dropped one of the best albums of 2024. Sabrina’s musical career has run concurrently with her acting career so she’s no newbie to the game – it just took album No. 6 before it all came together. Sure, “Espresso” is the most addictive pop song of the year but Short n’ Sweet is far more than that. Sabrina’s knack for catchy production and hilariously petty lyrics make every track a joy. Though the country and rock influences are strong, it’s her homages to late 90s/early 2000s R&B that really seal the deal on several songs. The album’s sonic accessibly makes it easy for fans of any genre to find at least a couple of tracks to fall in love with. From Billie Eilish to Charli XCX, the pop girlies were on a tear in 2024, but none had the of demented charisma and defiant risk-taking that defined Sabrina’s breakout year.
5. Freddie Gibbs, You Only Die 1nce
A few years back, I seemed to really annoy Hip-Hop Twitter when I proposed that it’s time to consider Freddie Gibbs one of the best of his generation. I didn’t see this as a controversial statement – and for all y’all that gave me grief, this album is my vindication. Serving as a sorta-sequel to his 2017 album, You Only Die 1nce sees Freddie in a much different place in his life. He’s enjoying the high life of Hollywood, but with those perks comes devilish temptations, which he details as only he can. That comes with heaps of soulful samples – everyone from Tony Toni Tone to 112 gets a callback – and loads of Freddie’s brutal punchlines and biting wit. His delivery is as effortless as ever, and at barely 40 minutes, it’s one of the few projects this year that left me wanting more. While not quite reaching the peaks of his top-tier efforts like Bandana, You Only Die 1nce likely will go down as one of Freddie’s best projects to date. Y’all should have listened to me the first time – he’s one of the best.
4. Beyonce, Cowboy Carter
Is Cowboy Carter an authentic country album? I’ll let the Yee Haw experts among us debate those finer points while I stay in my lane. But here’s what I can say for sure – Cowboy Carter expands Beyonce’s musical portfolio in fantastic ways, proving that her talent just may be limitless. Her voice is built for this brand of soulful Southern storytelling, adding her own spin on standards like “Jolene” and “Blackbiird” while venturing down her own dusty roads on “16 Candles” and “Protector.” But the album’s best win may be its unwillingness to conform, veering from country to 80s pop to hip-hop and all points in between. Bey’s mission to reclaim Black music easily surpasses her previous Renaissance. She’s still riding high.
3. Lucky Daye, Algorithm
Unless you’re new here, you know this site has been the home of four irrefutable words: Lucky. Daye. Don’t. Miss. We’re three albums in, and I still don’t see a lie. Algorithm once again pairs Lucky’s inventive songwriting with top-tier production, including input from R&B MVP D’Mile. But don’t expect a rehash of previous LPs Painted or Candydrip. Algorithm embraces a rock aesthetic that does wonders to diversify his sound, as well as keep the listener’s pulse pounding. The fingerprints of Lenny Kravitz and Prince are all over this project, but it’s Lucky’s expert songwriting and willingness to experiment that makes this more than a tribute to previous eras. The first half of this album alone features some of the best sequencing and production in recent memory. Algorithm reigns as the best R&B project of 2024 and positions Lucky as heir apparent to the throne. He was destined to be here – he doesn’t miss, after all.
2. Kendrick Lamar, GNX
We’ll all look back at 2024 as the Great Decimation of Drake, but there’s a much larger story to be told – this is the year that Kendrick Lamar cemented himself as, unquestionably, the greatest rapper of his generation. From The Pop Out concert and chart-busting singles to a slot at the Super Bowl in 2025 with a world tour on the way, Kendrick had the momentum of the Juggernaut, and RIP to your carrer if you stood in his way. To that end, GNX was the perfect way to cap off a history-making run. While some fans found Kendrick’s previous project Mr. Morale to be too weighty, GNX is a much lighter, much more brash and way more fun. Serving as both a love letter to the West Coast and a final mocking of his detractors, GNX features all of Kendrick’s trademarks – the off-kilter but catchy production, the matchless wordplay, the wisdom beyond his years – but packaged into one rowdy victory lap. Though its lacks the intricate concepts of Kendrick’s best work, it’s still leagues above most of his competition. But that’s the story of 2024 – no matter how good you think you are, you probably aren’t as good as Kendrick Lamar.
1. Rapsody, Please Don’t Cry
In a world where mainstream female MCs all seem to be cut from the same skimpy cloth, the purists scream “we need more women like Rapsody!” I’m just as guilt as anyone. But to paraphrase Mr. Morale, Rapsody is not your savior. In many ways, Please Don’t Cry is a reflection of Kendrick’s divisive 2022 album. Both come from superior artists who are held to unfair expectations of hip-hop perfection. And, like that Lamar album, Please Don’t Cry is not an easy listen. It’s dense, reflective and sober – but also brilliant, daring and necessary. Rapsody branches away from longtime mentor 9th Wonder to find inspiration from the likes of BLK ODYSSY and Hit-Boy as she dives deep into her own psyche. Like the two LPs that proceeded it, Please Don’t Cry is an unflinching look at womanhood, where she learn to embrace her emotions instead of running from them. From the introspective themes to the potential hits (“3 a.m.” might be the breakout track she’s always needed), Please Don’t Cry is Rap’s threepeat – without question the best album of 2024.
Whew, that’s finally it. Share your favorite albums of 2024 below!
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