The 50 Best Albums of 2023
So over on the all knowing Twitter app – I still refuse to call it that other dumb name – I’ve heard several so-called music pundits call 2023 one of the worst years for music of all time.
If you only listen to Aubrey, that woman with the wigs and my Cousin Chris, I guess you might have a point.
But I have to slightly disagree with that assessment. Sure, with a couple of high-profile exceptions (hi, SZA), R&B is still relatively invisible on Top 40 charts. Mainstream rap has fallen so far that even the usual stans are getting fed up with their faves. And more than a few high-profile projects completely underwhelmed.
Lucky for us here at SoulInStereo.com, we know better than to get all our music from industry-curated playlists.
2023, in my eyes, had lots of highs. You just had to know where to look.
Hip-hop veterans rapped with the hunger of a starving debut artist, producing some of the best albums of their illustrious careers. We witnessed in real time as several artist/producer combinations found incredible chemistry together. And my beloved R&B – sadly the stepchild of the music industry for more than a decade now – has looked brighter than it has in a long time. The No. 1 album on this list is the highest-rated R&B project on this site in six years.
2023 was far from perfect but there’s a lot to love.
In the past calendar year, I’ve listen to 179 albums, EPs and mixtapes. Here are the 50 best albums I’ve heard this year.
They’re not always the most hyped. They don’t often feature the biggest names. But they all deserve a place on your playlists.
Call me optimistic, but I think audiences are tired of empty hype and mundane music. 2023 shows us that there’s lots of talent waiting to break through. Maybe, just maybe, we’re on the cusp of better days.
Honorable mentions:
RAYE, My 21st Century Blues
Kirk Franklin, Father’s Day
Q, Soul,PRESENT
Sabrina Claudio, Archives & Lullabies
Kierra Sheard, All Yours
Che Noir & Big Ghost Ltd., Noir or Never
38 Spesh & Conway the Machine, Speshal Machinery
Maxo, Even God Has a Sense of Humor
D2x, Hotel 1105
Smoke DZA & Flying Lotus, Flying Objects
IDK, F65
Dinner Party, Enigmatic Society
Blu & Real Bad Man, Bad News
Conway the Machine, Drumwork the Album
Blu & Nottz, Afrika
Dave East, Fortune Favors the Bold
KXNG Crooked and Joell Ortiz, Prosper
Qveen Herby, The Muse
Rome Streetz, Noise Kandy 5
Amber Navran, Knock on the Orange Door
50. Rome Streetz & Big Ghost Ltd., Wasn’t Built in a Day
There was no way this wasn’t going to be a banger. Rome has been one of the most consistent players in hip-hop in recent memory and few can lay down soundscapes as menacing as the homie Galaxy Knuckles. Together, Wasn’t Built in A Day is exactly what you’d expect – Streetz going scorched earth over Big Ghost’s unearthly production. The result is a relatively brief but extremely memorable collection of street bangers that harken back to Mobb Deep’s grimiest days. They’re a match made in rap heaven, but we already predicted that.
49. Iyla, Appetite for Disaster
Iyla’s creepy album cover has lived rent-free in my head all year – I mean, she’s eating her own eyelashes! – but, more importantly, so has her music. And it’s much more appealing than her tasty hair. Iyla began turning heads last year with a few notable singles, each boasting a unique blend of pop and R&B. Appetite for Disaster bundles those loosies into a compelling package. Her mellow vocals are inviting, but her takes on loss and heartbreak add a bit of bite to her storytelling. Iyla is slowly building an impressive resume of hits – keep your eyes open for her. But keep her eyelashes out of your mouth.
48. Cleo Sol, Heaven
Cleo is one of the most elusive artists in soul today, so imagine my surprise when we got not one, but two LPs from her in the same calendar year. Though Heaven is the lesser of the pair (don’t worry, we’ll be getting to its counterpart later…) it’s still a standout among the 2023 R&B pack. Cleo’s 2021 album was a deeply personal look at motherhood and Heaven builds upon that, now putting her friend and family circle under the microscope. What results is a record full of encouragement and affirmations, looking to uplift rather than belittle. Lord knows we need more of that today. Heaven doesn’t break a lot of new ground, but it just feels so good.
47. Jai’Len Josey, Southern Delicacy
In speaking with my crew over at YouKnowIGotSoul.com, singer Jai’Len Josey dedicated her latest EP to her grandfather, a man who taught her to be true to her roots and who she is as a woman. That authenticity helps Jai’Len rise above the pack. Her single “Good Soup” gets the praise it deserves but there are many more morsels here, backed by hearty instrumentation and robust vocals. Jai’Len’s best days are yet to come, and Southern Delicacy is a great showcase of her potential.
46. Royce da 5’9, Heaven Experience – EP
Consider this a lil’ bonus. Royce has dubbed the Heaven Experience – EP as the lost sessions from his 2022 project of the same name. Thankfully, these aren’t just cutting floor rejects. Though it’s just six tracks, the MVP of Detroit goes as hard as ever, even inspiring the mighty Redman to deliver one of his best verses in ages. Royce’s fire continues to be undeniable and shows that even his leftovers make a fulfilling meal.
45. ASTN, Where Do We Go From Here
Yep, I’m surprised this one is here too. Now that’s not a shot at ASTN’s talent – he’s slowly been gaining momentum over the past couple of years. But his latest EP Where Do We Go From Here is a major leap forward – both conceptually and in quality. ASTN essentially heals from a broken relationship in real time, using his solid blend of pop and R&B to find answers on his journey. Though the runtime is brief, the EP is brimming with catchy cuts and, most importantly, a bright outlook for his future. It’s the best we’ve seen of ASTN so far, who makes pain look like light work.
44. Leela James, Thought U Knew
There’s not a woman walking the planet with a voice like Leela’s, and that soul-rattling tone have fueled some of the most underrated R&B releases of the past two decade. The game hasn’t changed on album No. 8. Thought U Knew thrives thanks to the work of producers like Rex Rideout, Camper, Amadeus and more – musicians who are able to craft backdrops that compliment Leela’s trademark husky vocals. But as always, Leela’s commanding voice is the album’s standout. Whether she’s embracing love or dismissing it, her voice sells every note of that joy and frustration. Leela rarely gets the recognition she deserves but the real ones know to give this soul sista her due.
43. Lloyd Banks, The Course of the Inevitable III: Pieces of My Pain
Third time’s the charm for Banks. The last two installments of Lloyd Banks’ The Course of the Inevitable series have put the spotlight back on the East Coast wordsmith, and chapter three follows up on the momentum nicely. The COTI albums always have a personal touch to them but Pieces of My Pain goes even deeper, with the melancholy production setting the stage for some of his most personal tracks to date. As always, Banks finds chemistry with a host of veterans and new faces, resulting in the all-out barfest that you’d expect. Banks is a no-frills type of MC – which may not appeal to fans of flashier tunes – but he knows exactly how to connect with his core audience.
42. Raheem DeVaughn, Vandell Andrew and The Colleagues, Love Euphoria
If you ask me, Raheem is one of the most dedicated soldiers in service to R&B. Not a year goes by without at least one project (or two!) winding up one on of these best-of lists. It’s a credit to his hustle, and a credit to his ability to keep things fresh. Love Euphoria is yet another jewel in the Love King’s crown. Backed by saxophonist Vandell Andrew and the jazzy production of the Colleagues, Love Euphoria is a short but sensual journey that relies as much on instrumentation as it does Raheem’s trademark crooning. It’s far from a traditional Raheem release but it’s an excellent mood-setter and another extension of his boundless creativity.
41. October London, The Rebirth of Marvin
October London’s latest album has been a hotly debated topic in recent months, and I understand why it has such a divisive reputation. On one hand, London’s bold brand of soulful R&B is a welcome sight – it’s a sound that’s practically on the musical endangered species list. On the other, his Rebirth of Marvin plays SO closely to the tune of his inspiration that it straddles the line between tribute and outright cosplay. But put me in the category of the former, I see the vision. London uses the Gaye blueprint to craft modern-day soul, leaning on solid songwriting and stirring performances rather than the sparce beats and shock value of many of his peers. The Rebirth of Marvin might be a tough sell for some listeners, but it’s a gift for fans of traditional soul.
40. Full Crate, A Kid from Yerevan
The name might not immediately ring a bell for some, but the resume certainly will. Dutch/Armenian producer Full Crate has quietly become a force on the indie scene, cooking up tracks for artists like Eric Roberson, JoJo and D Smoke. Here on his debut album, he uses his soul sensibilities, along with the journeys of his immigrant background, to create one of the most solid R&B offerings of the year. Accompanied by a strong batch of guest stars, A Kid from Yerevan is a warm, inviting love letter to his travels and self-love. It’s the type of soul-soothing sonics that were made for a lazy Saturday afternoon. Full Crate deserves this spotlight.
39. Kiana Lede, Grudges
During the intro of this album, Kiana flat out tells y’all what’s in store: “Dear, listener; The following material may be offensive … this s*** is toxic.” Grudges doesn’t hide what it is – another R&Bitter album. But what makes this project stand far above its other toxic peers is Kiana’s artistry. This isn’t the usual string of cuss words and Instagram captions masquerading as a song – solid vocal performances and intriguing writing carry Kiana’s messages of broken relationships and lost love. And no matter how tough she pretends to be, her vulnerable side shines brightest. It’s been a tough year for standout R&B releases but Kiana is here to be your petty muse.
38. Dreamville, Creed III Soundtrack
There’s been a lot of 90s nostalgia floating around in recent years, and one thing I’m very encouraged to see is the return of the movie soundtrack albums. Back then, soundtracks were as highly anticipated as the films they promoted – in some cases, even more so (shout out to New Jersey Drive and Hav Plenty). The Dreamville Records roster brings that ol’ thang back for the Creed III Soundtrack, and if you’re expecting this to be simply J. Cole N’ Friends, you’d be mistaken – and pleasantly surprised. Cole’s brief but mighty “Adonis Interlude” is a standout, but the rest of the roster happily carry the load. The best part of soundtrack projects is uniting tons of disparate personalities under one roof – it’s the Endgame finale battle of music. From the soul of Ari Lennox, SIR and Syd to the frantic energy of Earthgang and technique of JID, the eclectic mix makes for a complete listening experience. We need more movie soundtracks, and we need more Dreamville compilations, too.
37. Rory, I Thought It’d Be Different
Y’all know I’ve had many, many thoughts on hip-hop podcast game (most of them … not so positive) but I have to give major props to Rory for using his platform to push great music and not just stir the drama pot. Playing out like an old DJ Clue record from the early 2000s, I Thought It’d Be Different is a showcase for an array of hip-hop, pop and R&B stars. “I Want You But You’ll Never Know,” the centerpiece feature with Alex Isley and DRAM grabbed the most headlines, but it’s far from the only win. Jay Electronica emerges from the shadows long enough to drop heat, heavy hitters like Conway the Machine and Ari Lennox make appearances, but there’s also room for underrated artists to shine. It’s great to see names like KIRBY and Sinead Harnett get much-needed spotlight. While many modern-day compilations are little more than a dumping ground for big name artists to drop off rejected album cuts, I Thought It’d Be Different is curated with care, and it shows.
36. Kaytranada and Amine, KaytrAmine
KaytrAmine is one of the more pleasant surprises of 2023 for me. While I’m a longtime fan of Kaytranada’s production prowess, I’ve often been indifferent to Amine due to some inconsistent outings. But together, KaytrAmine form a pretty powerful duo. Under Kaytranada’s watchful eye and ear for great beats, Amine sounds more focused than ever, creating an album that’s tailor made for summer. Don’t expect a ton of lyrical prowess or deep introspection – KaytrAmine is the sonic equivalent of a one-night stand. Fleeting, but a lot of fun.
35. Paul Wall & Termanology, Start, Finish, Repeat
2022’s Start 2 Finish collabo album between Termanology and the People’s Champ was one of the most fun surprises of the year, so it was only right that they run it back. And this time, with lots of friends. AZ, Tony Sunshine, CL Smooth, Big KRIT, Sheek Louch and a host more join our dynamic duo for another round of bars layered over soulful production. In fact, producer Statik Selekath is the project’s true MVP, providing a diverse set of soundscapes for Termanology and Paul’s stories. As always, the chemistry is undeniable, proving that this paring’s success isn’t a fluke, it’s meant to be.
34. Masego, Masego
Alt-R&B became a dreaded term for fans of more traditional soul in the early 2010s, as the genre we knew and love was constantly being infused with everything from pop to hip-hop to, shudder, trap. But I always contended that change is good, as long as it’s handled with care. In 2023, it’s Masego who is letting his creativity run wild, and his self-titled LP bears great fruit. His vocals shift like a chameleon along with the production – from jazzy and rap-inspired sounds, to softer harmonies and raspier deliveries. His “Traphousejazz” playbook is strong and the diverse nature of each song makes the album feel like a true event. Individuality isn’t always celebrated in this era of music, so props to Masego for never conforming to the sonic norms.
33. Mahalia, IRL
Although Mahalia has been around for the better party of a decade, it was last year’s Letter to Ur Ex EP that truly caught my attention. It seemed like she was putting the pieces together for a star-making run. That potential begins to be fulfilled on her second LP, IRL. While many albums on this list embrace classic soul or lean on the lessons of the neo-soul movement, IRL is a more contemporary effort, borrowing bits and pieces from those aforementioned eras and marrying them with more modern writing and production. The result is an album that feels fresh, but is wise beyond its years. For instance, “Isn’t It Strange,” one of my favorite tracks of the year, is a sharp exploration of life’s contradictions: loving and hating fame, seeking love yet pushing it away, being the life of the party while feeling lonely. IRL embraces trends while ducking the norm. It’s what makes Mahalia and her music so intriguing.
32. Kenyon Dixon, The R&B You Love
Long before his breakout LP, Kenyon Dixon was a jack of all R&B trades, providing his pen and background vocals for artists like Tyrese, Alex Isley, Justin Timberlake and TGT. Grammy nominations soon followed, and while his 2022 LP Closer turned heads, as your Unbiased Music Reviewer, I gotta keep it a buck. I thought it was a solid release with several highlights, but I knew he could go harder. The R&B You Love is the album turns that potential into promise. The R&B You Love is constructed as a love letter to R&B’s many eras, not just in sound but in passion. Tracks range from 1980s-inspired talboxes to 2000s-era Midnight Love selections, all laced with soothing vocals and strong songwriting. Dixon has finally established himself as a voice for a new generation yearning for love.
31. Hit-Boy, Surf or Drown
2023 has been the Year of the Compilation, so it’s no surprise that the game’s hottest producer has also thrown his hat in the ring – or board on the waves. While this serves as Hit’s solo debut, following in the steps of his previous mixtapes, the large number of guests make this feel more like a family affair. Hit’s no slouch behind the mic but his real strength, obviously, lies in his production and guiding the many artists who come through, with the likes of Nas and Dom Kennedy among many who shine. Surf or Drown showcases Hit-Boy’s evolution as a MC and solidifies him as one of rap’s most reliable names.
30. Blk Odyssy, Diamonds and Freaks
Like several albums on this year’s list, it’s hard to categorize Blk Odyssy. Sometimes it’s hip-hop, sometimes it’s funk, sometimes it’s R&B. But it’s always intriguing. Diamonds and Freaks is essentially audio erotica – but don’t let that description scare off the pearl-clutchers among us. Though Blk Odyssy’s narrative certainly gets sexual at times, it’s more about the interpersonal relationships surrounding black love. The wide-ranging array of guest stars – from Griselda’s poet laurate Keisha Plum to Rapsody and even Bootsy Collins – keep the story moving while Blk Odyssy meshes the varying sounds into one cohesive package. Diamonds and Freaks certainly will be an acquired taste for some but there’s so much depth that it’s a journey that gets better with each visit.
29. Jesse Boykins III, New Growth
Add Jesse Boykins III to that ever-growing list of R&B artists who deliver with every project yet never quite seem to get the spotlight they deserve. Five albums in and he hasn’t missed a step. New Growth is the latest step in his soulful spiritual journey, this time exploring fractured relationships and the lessons that can be learned from them. Jesse’s vocals continue to be his strongest asset, setting him apart from most of his peers. But Jesse never steers away from his mission – growth is the name of the game, and he continues to expand his boundaries.
28. The Shindellas, Shindo
The best way to describe the Shindella’s sound is as a collage of 60 years of sounds, a walking R&B history lesson. Swinging from spiritually to sensuality with unlimited sass, Tamara Chauniece, Stacy Johnson and Kasi Jones use their second album Shindo as a chance to solidify themselves as the modern-day Supremes. In an era when R&B groups are essentially invisible, their harmonies and chemistry are more than welcome, fueling playful tracks like the single “Juicy” and better-be-a-single-one-day “Somethin’ That I Wanna Say.” The Shindellas are putting the spotlight back on R&B girl groups, and we’re here for it.
27. Andre 3000, New Blue Sun
Y’all got the game twisted. When Andre 3000 shared that, at this stage in his life, he had no desire to rap about his life anymore, critics took it as some sign of weakness, a defeatist attitude that seemingly silenced one of rap’s greatest voices. Y’all missed the point. It’s not that Andre CAN’T rap about his 401(k) and colonoscopy, it’s that he doesn’t find a challenge in it. What he does find challenging is exploring the instrumentals provided by his trusty flute. New Blue Sun is a 90 minute journey through the mind of a man who no longer has words, just gentle notes. It’s airy, atmospheric, ambient jazz that may be a jarring transition for some fans to digest, but if you’ve been paying attention, this has always been the direction Andre was heading. Make no mistake, it’s a lengthy, demanding listen for those who aren’t used to instrumental albums. But in the words of that guy who once had a show we all loved, it’s the best elevator music I’ve ever heard. It might not be the album some fans wanted, but it’s the album Andre needed to make. For himself.
26. Kelela, Raven
Yes, it was worth the wait. Kelela first turned heads a half-decade ago with Take Me Apart, a sonically adventurous album that was well ahead of its time. But anyone expecting a repeat of that journey will be disappointed. Instead, and once again, Kelela sets her own path with Raven, a mix of Black electronica and club music bursting with themes of empowerment, identity and womanhood. Raven may not as easily accessible as its predecessor but the experimentation sets it apart from its peers. It’s a sublime experience, one as enigmatic as its author, but the journey is refreshing.
25. Jamila Woods, Water Made Us
Four years ago, Jamila Woods’ LEGACY, LEGACY was the defibrillator R&B needed – shocking our system with an incredible concept album that would wind up one of the best releases of that decade. Water Made Us has quite the, um, legacy to live up to. But Jamila handles the challenge expertly. Flowing as fluidly as its name, Jamila explores love with the technique of a poet laureate. Sometimes her musings are funny, other times her critiques are biting. But even when she’s irrelevant, she’s insightful, using her beautiful vocals to find hope and healing in her darkest hours. Water Made Us is another creative triumph, reminding listeners in even the deepest of waters to simply float on.
24. Statik Selektah, Round Trip
After nearly two decades in the game, it feels like producer Statik Selektah has more albums than Disney+ has Marvel shows. I swear he drops a new one every six months. But despite that insanely deep catalog, Round Trip may be one of the strongest of them all. On the surface, this is the typical Selektah project – he steps out of the way and lets his beats do the talking while an array of A-list spitters clean house. That’s the case for Round Trip, expect the stakes are raised. The beats? Harder. The guests? More focused that ever. The result is the Statik experience with much greater results. The Wu-Tang Clan reunites, recapturing their mid 90s fire; Ab-Soul, Bun B and Conway the Machine mesh their contrasting sounds into one unit; AZ and Ransom find instant chemistry – it’s a treat watching these combinations play out before your ears while Statik plays conductor in the background. Statik Selektah albums are always a fun time, but there’s just something special about Round Trip.
23. Alex Isley and Terrace Martin, I Left My Heart in Ladera
We’ve seen a lot of great artist/producer parings emerge in recent years, and you can add Alex Isley and Terrace Martin to that esteemed list. I Left My Heart in Ladera is a jazzy, fulfilling R&B experience – neo-neo-soul, you might say. Alex’s vocals effortlessly float among Martin’s soothing production, and while the mood is mostly mellow, the duo aren’t opposed to picking up the pace as well. Isley and Martin individually have become dependable players in R&B in recent years but there’s a lot of magic in this partnership.
22. Oddisee, To What End
It’s wild that Oddisee is 10 albums deep – each of them noteworthy in their own right – yet he’s still an overlooked name in mainstream convos. Y’all gotta catch up. Twenty years end, To What End essentially asks the question “how far will you go to succeed?” Oddisee reflects on mental health setbacks and insecurities while also boldly celebrating his impeccable skills. And just when things start getting too heavy, Oddisee lets loose with a few lighthearted tracks to keep it grounded. Oddisee may always be an indie sensation but one thing’s for sure, he’ll always be consistently dope.
21. Cleo Sol, Gold
Two weeks after Cleo’s Heaven dropped from the skies, we were blessed with a second – and even better release. For those who thought Heaven was a little too laid back and ponderous, Gold might shine a bit brighter for you. As usual, Cleo and partner Inflo provide another slice of soothing soul, but this time with a few added tempo quirks to keep things from sliding into sleepiness. Gold is cut from the same empowering mold as Heaven, but her themes feel even more poignant this time around. That, along with even more notable production, make it one of the year’s best R&B standouts. We don’t get to experience Cleo often, but whenever we do it’s always a treasure.
20. Leon Thomas, Electric Dusk
Is there anything that Leon Thomas III can’t do? From roles on Nickelodeon’s Victorious and Max’s Insecure (among many others), to writing credits and even a Grammy nomination for contributing to artists like Drake, Ariana Grande, Toni Braxton and Rick Ross, the man’s resume runs deep. But his debut album may prove that solo music stardom is next chapter of his story. Electric Dusk is a well-written, often eclectic effort that often challenges R&B boundaries. Sure you get strong soulful duets with Victoria Monet and the typical sensual cuts, but Leon isn’t afraid to experiment with hip-hop and even psychedelic sounds. Thankfully, none of this takes away from the overall experience, proving that Leon’s skillset is as deep as his resume. It’s definitely one of the year’s sleepers.
19. Nick Grant, Sunday Dinner
I always give artists props for attempting to evolve, even if it doesn’t work out. 2018’s Dreamin Out Loud is the project that officially made me a Nick Grant fan – I was enthralled with his fervent bars and wisdom beyond his years. Last year’s follow up – Welcome to Loveland – was a jarring diversion in the vein of Andre 3000’s The Love Below. It didn’t quite work. But third time’s the charm, and Nick is back in rare form with Sunday Dinner, a project that has faint sprinkles of Three Stack’s influence but it’s much more in the mold of the 2018 release. Sunday Dinner shows Nick opening his heart AND his rhymebook as he waxes lyrical on family and his spot in the game. Good for Nick for experimenting, but Sunday Dinner is the table he’s most comfortable sitting.
18. LAYA, Bet That
LAYA isn’t just a breath of fresh air, she’s the swirling storm of creativity ready to shake up the game. Her debut EP Um, Hello was one of the brightest spots of 2022, and that momentum carries over into Bet That. Though the former release was deeply rooted in 90s R&B lore (specifically, Missy Elliott’s brand of sonic mastery), Bet That branches out even further. Tracks like “Need 2 Know” – one of the best R&B records of 2023, period – shine above the competition with slinky production and defiant attitude. Meanwhile, “F’d Up,” is a playful clapback that can burn up the dance floor AND your ex’s DMs. Don’t try to put LAYA in a box, she specializes in breaking out of them. If anyone can break R&B out of its current rut, it’s her.
17. Nas, Magic 2
Earlier this year, after Nas found new life with his partnership with producer Hit-Boy by creating four new projects in less than three years, the streets wondered, are we hitting Nas Fatigue? Admittedly, the reception for Magic 2 seemed much more tepid than the albums that preceded it. Was it fatigue? Was it truly a drop in quality? I can’t speak for y’all but, in my opinion – ie, the reason you’re reading this right now – Magic 2 kept Nas’ momentum rolling, in its own unique way. Instead of serving as a boom-bap manifesto like its predecessor, Magic 2 embraced unpredictability, widening Nas’ sonic palate with everything from trap drums to Southern rap samples. The result was pretty eclectic, but Nas’ elite storytelling kept the package together. The buzz might not has been as strong for this album, but Nas’ bars prove to be as venomous as ever.
16. Joy Denalane, Willpower
The most fun part about creating these year-end lists is witnessing an artist sneak into the back door, totally take me by surprise with a great release and make their way onto my recap at the 11th hour. Joy Denalane’s Willpower was the very last album I heard as I was finalizing this post and I knew I had to make room for it (sorry you got bumped from the list, RAYE). The German-born singer pours her heart into her sixth (and arguably best) LP, a deeply personal release that reflects on grief and the inspiration of family. Though Joy typically embraces classic soul throughout the record, she’s not afraid mix up the formula – a surprise appearance from Ghostface Killah, for example, is a seamless addition. True to the album’s name, Joy’s strength is her story, one that she weaves elegantly in this soulful atmosphere. Willpower almost flew under my radar; don’t make that same mistake. It’s the sleeper album of 2023.
15. Jessie Ware, That! Feels Good!
I thought y’all told me disco was dead? Not if Jessie has anything to do with it. After a near decade of music vibin’ us into a coma, Jessie continues to ride this new dance wave, and we’re all better off for it. That! Feels Good! – AKA All! The Exclamation Points! – lives up to its name – high-octane dance numbers powered by her very underrated vocals. And she still finds time to slow down the beat, which turns out to be some of the album’s best moments. That! Feels Good! Is arguable one of Jessie’s best albums to date and a reminder that sometimes this weary world just needs to shut up and dance.
14. Navy Blue, Ways of Knowing
Navy Blue has done it all – pro skater, album art designer, Grammy-winning producer – and now he’s standing on his own as an elite artist. Ways of Knowing is a soulful, sentimental look at the lessons of his youth and family. Every track is brought to life by some of the best production of the year, lo-fi soul loops that are welcoming without lulling the listener to sleep. It helps that Navy Blue’s rhymes are so captivating and he continues to grow as a storyteller with each release. Navy Blue has always been bursting with potential, and Ways of Knowing is one that definitely will make his loving family proud.
13. Conway the Machine, Won’t He Do It
In just a few years, Conway has established himself as one of hip-hop’s most consistent players. If he’s dropping an LP, EP or mixtape, there’s a good chance it’s ending up on one of these best-of lists. Won’t He Do It is no exception to that rule. While the Machine is known for his rugged bars and sinister production, he wisely branches out his sound a bit on this project, diversifying his skillset with more mainstream-friendly production. But don’t worry, Conway never dumbs down his delivery, even when the atmosphere is slightly more energetic. Of course, this Machine fires on all cylinders when the mood is dark and the bars are their most threatening. But Won’t He Do It proves he’s no one-trick pony. He’s here to stay.
12. Skyzoo, The Mind of a Saint
Y’all know I love a good concept album, so props to Skyzoo for making a project as bold, and timely, as this one. The Mind of a Saint is a musical journey into the complex mind of Franklin Saint, the lead of the hit FX drama Snowfall. And while fans of the show likely would have been satisfied with a few name drops and song titles featuring familiar phrases (I knew we were getting a song entitled “Brick by Brick” before I even saw the track listing), Sky goes much deeper. This isn’t a rapper talking about a TV show, he BECOMES Franklin, not only detailing his rags to riches (to rags) story, but showcasing deep introspection as well. “Apologies in Order” is the atonement to his ex-girl Melody that we never got on the show. What essentially should have been just another coke rap album becomes something much, much more thanks to Skyzoo’s boundless creativity. It’s a concept album done right.
11. Mac Ayers, Comfortable Enough
I dove into Mac Ayers’ third album expecting some light-hearted R&B fun, or some of his trademark jazzy tunes. What we received was something much profound. Comfortable Enough is a surprisingly sobering look into those painful emotions we bury deep within. Even the sequencing of the tracks tell a story, if you pay attention – “If You’re Feeling Lost”/”I’ll Be Your Home Now”/”& We’ll Feel Better”/”Again.” Artistry at work. Mac’s vocals and composition are as soothing as ever as he unveils uncomfortable truths about finding one’s self. The subject matter might seem intimidating for longtime fans, but trust me, it’s a journey worth taking. It’s a much deeper dive into Mac’s psyche than any album before it, making it a powerful, poignant release.
10. Mick Jenkins, The Patience
Now, who went and pissed off Mick Jenkins? Whoever it was, thank them. Mick has spent nearly a decade dropping critically acclaimed but often overlooked projects. But on The Patience, it seems like he’s tired of waiting for the spotlight – he’s taking it by any means. Mick forgoes his usual cool demeanor for a more fiery delivery and pointed bars– a much needed change in this era of lackadaisical rap. Lyrically, Mick is as sound as ever and his effortless flow remains intact. But this newfound focus makes The Patience one of Jenkins’ best offerings to date. If y’all won’t give props, he’s ready to snatch them from you.
9. Goapele, Colours
Six years feels like an eternity in the supersonic world of music, but for Goapele, timing is everything. And there’s no better time for her R&B reemergence. True to its name, consider Colours as a kaleidoscope of sonic stylings. From gentle acoustics to homages to peak Prince, Colours dares to explore new soundscapes with each track, all wrapped in Goapele’s alluring, gentle vocals. Colours wraps up in less than a half hour, but Goapele maximizes every second – there’s not one bit of filler to be found here. Goapele’s catalog has always been strong, and Colours keeps that streak alive. It’s proof that absence does make the heart grow fonder. I’m just glad she’s back.
8. El Michels Affair and Black Thought, Glorious Game
Time and perspective are funny things. It didn’t seem THAT long ago where hip-hop fans were wondering if we’d ever see a Black Thought project outside of his Roots collective. But in the past few years, we’ve gotten them nearly yearly – and they almost always are in the running for album of the year. Glorious Game is no exception. The El Michels production team cook up soulful concoctions for Thought’s lyrical warfare, which paint a picture of life in South Philly. It’s a deeply personal affair, which showcases the inner workings of Thought’s soul – from his love of his hometown to wrestling with the doubts of losing his drive. His frank honesty, and blistering, vivid wordplay, continue to keep him in the conversation of hip-hop’s greatest lyricist.
7. Jae Skeese, Abolished Uncertainties
I get a LOT of artist suggestions from readers, and I love y’all for it … except when y’all make me sit through garbage. But sometimes, you gotta listen to your fam. When several Soul in Stereo readers demanded that I get on Jae Skeese immediately, I obliged, even though I thought his previous mixtape was just aight. But there’s something about Abolished Uncertainties that shows that Skeese is ready to hit the next level. Skeese always possessed a potent flow, but on this project, his storytelling hits another level. “Burner Phone,” for example, a spiritual successor to Nas’ “I Gave You Power” showcases some of the best storytelling I’ve heard in a decade. Maybe THE best. Combine his lyrical acumen with solid production and the confidence of a 25-year vet, and Abolished Uncertainties is easily one of the best surprises of 2023. I’m a fan now.
6. Noname, Sundial
As a Noname fan, it’s pretty frustrating to see controversy constantly overshadow a great catalog. To wit: almost immediately after its release, conversations surrounding Noname’s Sundial raged about the controversial inclusion of Jay Electronica verse. But Noname is no stranger to quarrels – while Twitter burns, she keeps it moving with more dope music. Sundial doesn’t shy away from sociopolitical commentary, holding listeners and her peers accountable for their actions while simultaneously raging against the machine. Noname’s flow is impactful, her insight is poignant and her passion is undeniable. Noname is always ready to keep it real, even when the world around her would rather close its ears. Sundial keeps the legacy of protest music alive, and it’s never afraid to shake the table.
5. Musiq Soulchild and Hit-Boy, Victims & Villains
Interestingly, I remember a lot of confusion – even doubt – when word leaked that Musiq Soulchild would be teaming with Hit-Boy for a new project. I get it – Musiq will always been known as one of the stalwarts of 2000s-era neo-soul, while Hit-Boy was more recently known as the creative genius behind Nas’ masterful King’s Disease series. But many fans missed the deeper connection – Musiq has always been in touch with his hip-hop roots and long before his days with Nas, Hit-Boy cranked out R&B hits. This pair was a match made in hip-hop soul heaven, and Victims & Villains is their hymnal. Though it’s just 10 tracks long, the pair have undeniable chemistry, with Musiq gliding over soulful cuts and harder-edged beats with ease. The result is one of the better albums in Musiq’s two-decade long career and another win for hip-hop’s reigning king of production. I never doubted.
4. Kali Uchis, Red Moon in Venus
You never know what you’re going to get with a Kali Uchis release, and that’s what makes her music so intriguing. Kali has spent the past five years bending multiple musical genres to her will but her latest (and possibly best) album, Red Moon in Venus, mainly plants its roots in R&B. I ain’t mad. There’s still plenty of room for experimentation, though. Kali bounces from jazz pop to Afrobeats as she explores love and femininity, but the soulful backdrop keeps everything in sync. Kali wisely uses Red Moon in Venus to push sonic boundaries, making this one of the 2023’s most innovative musical journeys.
3. Nas, Magic 3
All great stories must inevitably come to an end, and perhaps there’s no greater tale in recent memory than Nas’ resurgence and the establishment of Hit-Boy as one of the top producers in any genre. Though Magic 2 may have had a mixed response (it’s still pretty dope to me), the love for the final Magic project seems much more unanimous, and it’s easy to see why. Combining best aspects of the King’s Disease series’ regal atmosphere with the lyrical dexterity of the Magic records, Nas’ final victory lap produces some of the best tracks in his historic three-album run. While I wouldn’t call it the best of the six albums, Magic 3 easily surpasses most of Nas’ 2023 peers. As he says on the final track, “I’m the inspiration, I ain’t gotta look for none.” He and Hit-Boy have created the blueprint for rap longevity. It’s like magic.
2. Killer Mike, Michael
While compiling our list of the 50 greatest rap albums of the 2010s, I stumbled upon an interesting stat – three of those albums (with an honorable mention raising that to four) were claimed by Killer Mike, a feat matched only by Kendrick Lamar. That quietly cements Mike as one of the best artists of the past decade, and his latest solo album, Michael, keeps the bar very high. While his Run the Jewels projects typically featuring him raging against the political machine, Michael is a much more personal affair, drenched in gospel chords but retaining his trademark fire. Mike focuses squarely on the Black family structure, diving deep into the loss of his mother and grandmother, teen pregnancy and the affect of drug abuse on loved ones. And of course, this is Mike, so he’s spitting with reckless abandon the entire time. This isn’t a RTJ project and that’s by design – this is more personal and more immediate yet just as empowering. It’s still early but Michael feels like an album of the year contender. Looks like Mike is getting ready to dominate the 2020s as well. It’s the best rap album of 2023.
1. Victoria Monet, Jaguar II
The greatest irony of Victoria Monet’s career is while fans bicker about R&B’s next great hope, she’s constantly been in the background honing her craft. Her pen has birthed hits and Grammy nominations for artists like Ariana Grande and Chloe X Halle, and her resume swings from Nas and Kendrick Lamar to Blackpink and Selena Gomez. And while her 2020 EP Jaguar rightfully turned heads, it’s the sequel LP with producer D’Mile that takes everything to another level. Jaguar II is the Terminator 2: Judgement Day of modern R&B albums. The album’s greatest strength is that each track has its own identity. “Party Girls” captures the vibes of a sweaty night in Jamaica; “Cadillac (A Pimp’s Anthem)” is a silky but commanding ode to the blaxploitation era; “How Does It Make You Feel” is just a back-to-basics love ballad. From sure-fire radio hits like “On My Mama,” to dreamy numbers like “Good Bye,” Jaguar II is a star-making release – proof that Victoria is ready to take a seat on the long-vacant throne of R&B. It’s been years since an R&B record has topped the Best Album of the Year list here at Soul In Stereo, but Jaguar II effortlessly takes the crown for 2023. I won’t call Victoria R&B’s savior but Jaguar II just might be the blueprint for a better decade of R&B.
That was a LOT but I know y’all have more to say. Let us know your favorite albums of 2023 below.
Well look here, Eds best RB Album of 2023, just won the Grammy for Best RB Album.. she deserves all of this!